Best White Diamonds by Elizabeth Taylor Alternatives & Similar Perfumes

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

This “divine flower” is a luminous, untamed floral that captures the serenity of nature in motion. It starts bright and light: lemongrass and passion fruit, opening up to peony and lily of the valley. Watery, ethereal cyclamen drenches the richness of jasmine, ylang-ylang and narcissus like dew over a meadow. The drydown is green, a mingling of eucalyptus and sage with peppermint, juniper and pine, grounded by 
Mysore sandalwood and a hint of vanilla bourbon.

According to ancient religious scriptures, Mary mother of Jesus was informed of her destiny by the Archangel Gabriel when she was about 13 years old. Artists over the centuries have been captivated by the idea of this scene, a startled schoolgirl recoiling in shock from the supernatural being. The lily, symbolizing purity and innocence, is not only a common element of these artworks, but is also the inspiration for this extrait. In principio, Latin for “in the beginning”, is a meditation on the creamy radiance of lily, supported by the down-low sensuality of ylang ylang. Mace, sweeter than nutmeg and softer than incense, lends clarity, while sweet/tart kumquat sharpens the focus.

Limited to 58 bottles, 48% extrait.

Blended with:

White lily absolute, 
Kumquat essential oil, 
Mace absolute, 
Nutmeg tincture, 
Bitter orange essential oil , 
Ylang Ylang essential oil, 
Elemi essential oil, 
Tuscan cypress essential oil, 
Pompia essential oil, 
Turkish rose absolute, 
Rosewood essential oil, 
Frankincense rivae, 
Juhi jasmine absolute, 
Cistus tincture, 
Ambergris.

Important notice:

Zanini blends are living botanical compositions, crafted entirely from natural materials and free from synthetic fixatives or stabilizers. As with all things living, subtle variations are part of their nature: over time, you may notice a gentle evolution in colour, texture, or the appearance of natural sediment. These are not imperfections, but part of the character of the raw materials themselves.

These blends are olfactive smellscapes (but neither aromatherapy, nor ‘spray-and-go’ perfumes) and sensory experiences, closer to works of art created in the scented plane (rather than, say, visual or audio).

Certain essential oils and absolutes that are used in Zanini’s 100% natural blends may potentially cause allergies in some people. Please spray Zanini’s blends on fabric (on sleeves, scarves, etc.). 

Zanini advise that those who are prone to allergic reactions, pregnant and nursing women, as well as people with chronic illnesses to be extra careful. Before trying natural blends, study the list of ingredients and consult with a doctor if you are not sure or a had a history of allergies. If you do decide to put these blends on your skin (unable to resist the temptation) always test the blend on the inside part of your elbow first and wait.

Do not spray these blends liberally as a cloud in the way you would spray a conventional perfume. Zanini’s smellscapes need to be… carefully applied and experienced. Be mindful that some oils can also make your skin hyper-sensitive to UV.

A collaboration with Anselm Skogstad.

Monopteros, an architectural term for a circular colonnade supporting a roof but without any walls.

In this perfume the dome is made of a giant coconut shell, the columns are made of coffee and spices and there is an icy aldehydes fountain in the center. The perfume is trippy, but in fun way.

A contemporary orange blossom cologne.

Perfumer for 002: Karine Dubreuil – Sereni. 

No. 89 has been an icon among the Floris collection for over 60 years. First crafted in 1951, No. 89 takes its name from the number of their flagship shop on Jermyn Street.

Ian Fleming who was a customer of Floris mentions No. 89 in his James Bond universe.

No. 89 is a classic and timeless mix of fresh citruses, sparkly spices and aromatic herbs resting on sandalwood and oakmoss. There is an adventurous romantic twist in the formula though: a drop of rose.

No. 89 could be a fragrance for the quintessential English gentleman.

As the sun sinks over the dense tropical forest, civets emerge warily from the thickets. Under a carpet of narcotic flower blossoms, a smattering of coffee berries peppers the ground. The moist air is heavy with mossy aromas that penetrate every crevice, but the musky scent of the civets dominates; their marked territory daring one to enter at one’s own risk.

Civet pays homage to the age-old ingredient, civet, as well as chypre perfumes of bygone days – perfumes that refused to be intimidated by raw, alluring, animalistic musks. Civet is a moody and complex brew entwined in mystery. It opens with a spicy floral accord, threaded through with dark coffee tones. Slowly it prowls forward, unraveling base notes of leather, moss and vanilla that combines with distinctive civet musk to create a bewildering, sophisticated scent with the promise of a sultry nighttime rendezvous.

Perfumer: Shelley Waddington

The abandoned chapel of a Cistercian abbey. Cold stone walls, covered in moss. The waxen wood of ornate pews, the linseed oil of an unfinished painting. Myrrh and frankincense linger in the air, along with  . spicy white lilies. The subtle scent of golden pollen mingles with that of solemn green leaves. The call of the divine.

Perfumer: Hugo Lambert

An electrified lily-of-the-valley spark, modern molecules reanacting a vintage theme. Also a romantic scented scetch on kings giving in to the magic of love.

Notes from the brand:

"The curtain rises on a state at the corner of 69 rue des Archives, in the Marais, Paris. A place that is like a frontier, where the old world ends and the new world begins. The pale moon can be seen lowering over the towers of Notre Dame in the distance. A man and a woman are in a perfumery, surrounded by bottles. He has yielded in submission to a fallen sovereign and is condemned to the ultimate fate. She is the new soul, the new role, she is desirable and she has conquered. She is the denunciation, a touch condescending. The fluttering of her eyelashes declares she is the one whose hour of glory has arrived, a scent testing blotter in hand."

A pretty honeyed floral with some ambery background. Magnolias, violets, jasmine, ylang-ylang are all in the bouquet thrown on satin blanket of white musk and Siam benzoin.

The Sniff on Latin Lover by Carner:

"The [opening] florals recede into a pretty, flowery fug in the base of the scent, still heady, still very flowery, sweet and powerful, but the notes become less discernible from one another. The warmth remains and, at times, this perfume just really smells like sunshine on naked skin. On a cold, drizzly Yorkshire day this is indeed a joyous thing!"

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