10 perfumes in similar style to Ombre Leather Parfum by Tom Ford

Perfumer: Christophe Raynaud

A moonlit leather made with velvety violet leaves and smooth cool orris, all studded with cardamom, dry cedar and spicy earthy cypriol.

In the Beso trio, Beso Negro ("kiss of the darkness") represents the sleepless nights of the busy holiday island: velvety darkness, golden lanterns, cooling sea breeze, stars, and sand.

June 1660, the Isle of Pheasants, Basque region, French-Spanish border

Fleur de Louis is a refined and elegant imagining of the peace negotiations at the center of the marriage between Louis XIV of France and Marie-Teresa of Spain. A regal ceremony carried out with pomp and purpose against a newly built pavilion of cedar and pine which takes center stage.

Neroli, green galbanum, cypress and bergamot open, leading the way a heart of radiant orange blossom (a favourite of the Sun King), jasmine and subtly perfumed rose and clove water.

Powdery and clean orris contrasts with resinous white cedar. The charismatic beginning of a new era.

A new project with Bertrand Duchaufour and a landscape artist/photographer Martin Hill.

The same way in which Martin goes to a sight and rearranges what nature left there into an installation, the perfumer rearranged some molecules and materials to put the beauty of a natural material into focus.

Also Martin aims to let his stuctures to be absorbed back into natural chaos. Perfume evaporates into the environment in a similar fashion, beautiful but transient.

In Leather Shot all the focus is on the leather aroma effect (which can be achieved through many combinations of various perfume materials). In this particular perfume it's velvety orris, black tea and a touch of smoky sandalwood that create that dense, dark and heady aroma of suede.

The structure in the image below is a bit like the leather effect in perfumery. It manifests itself on the surface after some aromatic forces have worked their mysterious magic.

A star of realistic coffee perfumes with the best, in our opinion, almost holographic espresso aroma accord. However, SM is not a flat boring coffee aroma recreation, there is much more going on, with leather, tobacco and a suggestive animalic nuance.

Tobacco Tuberose - a leather floral vintage experiment. Green bitterness, milky-white flowers in a half-light of a library, soft clouds of tobacco smoke, cozy leather chairs, silence and comfort.

It is tobacco which surely leads in this duet. Warm and rich, the fragrance opens with bitter, slightly metallic green notes of violet leaves, they unfurl into dim old library cabinet. The cabinet is full of curling aromatic flows of pipe tobacco smoke.  Then leather appears, warm and tactile, and then a sudden gust of wind brings a heady, almost narcotic smell from a tall elegant bouquet of tuberoses.  Try it on, find out who will lead for you – white flowers or tobacco-leather.

Anna advises to choose chilly dull weather to experience this fragrance – it warms and comforts in a most subtle and pleasant way.

Starring

(these fragrant materials reanacted the Tobacco tuberose story):

Artemisia absinthium e.o.
Frankincense e.o.
Tuberose abs
Lavender abs
Rose de may absolute
Rosa gallica e.o.
Agarwood e.o.
Sandalwood e.o.
Orris CO2 extract
Castoreum tinctura
Acacia farnesiana e.o.
Tabacco abs
Jasmine sambac abs
Cistus e.o.
Ambrette CO2 extract
Angelica root absolute

Important notice:

Anna Zworykina’s blends are olfactive smellscapes (but neither aromatherapy, nor ‘spray-and-go’ perfumes). Her blends are sensory experiences, closer to works of art created in the scented plane (rather than, say, visual or audio).

Certain essential oils and absolutes that are used in her 100% natural perfumes may potentially cause allergies in some people. Please spray Anna Zworykina’s blends on fabric (on sleeves, scarves, etc.). This said, Anna Zworykina has acquired a huge fan base over many years and people interacted with her blends for quite a while now. We are not aware of any reports of any skin reactions so far.

However, Anna advises that those who are prone to allergic reactions, pregnant and nursing women, as well as people with chronic illnesses to be extra careful. Before trying natural blends, study the list of ingredients and consult with a doctor if you are not sure or a had a history of allergies. If you do decide to put these blends on your skin (unable to resist the temptation) always test the blend on the inside part of your elbow first and wait.

Do not spray these blends liberally as a cloud in the way you would spray a conventional perfume. Anna’s smellscapes need to be… carefully applied and experienced. Be mindful that some oils can also make your skin hyper-sensitive to UV.

January 1837 St Petersburg, Russia

An olfactory journey, retelling firebrand poet Aleksandr Pushkin's fateful duel.

Aleksandr opens with stoic, almost sharp and frosted notes of vodka and birch leaves, mysterious and foreshadowing. We wait as Pushkin prepares toilette, neroli and violet create the effect of Pushkin's cologne.

Sweet violet leaf intertwines with leather and powdery orris (iris root), invoking an almost warm hay accord transporting us to the forest as Aleksandr rides to face his foe.

Aleksandr finishes on a melancholic base of towering fir balsam trees, leathery birch tar and animalic musk.

****

'He mounts the sledge, with daylight fading:
"Make way, make way," goes up the shout;
his collar in its beaver braiding
glitters with hoar-frost all about.'

A. Pushkin. Eugene Onegin (tr. Ch. Johnston)

L'espérance est violente.

Mirabeau, what a pretty word, peculiarly Parisian, suspended above the Seine. It composes a memory, joins another bank, and returns by following its trail of sandalwood, pink bay and cedar. In the heart of the City of Light, on the way to the twilight of the day, there is a bridge, a poem and a perfume.

A discreet and symbolic bridge, of the master-builder spirit which transcends borders, becoming better by coming together. Those solid foundations of cedar, sandalwood and orcanox span love and musk.

A poem as slow as it is violent, expressing the brutal and desirable hope of the one who would like to believe, of the one who wants to love. Vanilla, I write your name on the water, with muffled traces of incense and violet green.

A perfume to save us, fish us silently out of the water, bringing us above the Seine, our spirits on the water of our essences, bergamot and pink berry mingled with fig in a glass bottle, fiercely reuniting bodies in unison with souls, coming back to her by following her wake.

An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.

Perfumer: Fabrice Pellegrin

Soft leather combined with violets and soft leathery orris ... a unique and refined blend.

The perfume comes in a hand made flacon which is made in France with a genuine vintage mould. J.U.S also use an eco-friendly lacquering method to achieve the velvety finish and the precious bottle is refillable.

A peek into the formula:

Cuir de Grasse base 0.4%
Amber extreme 1%
Astrotone 40%
Frambinone 5%
Violet leaf absolute 0.1%
Orris (iris root) concrete 0.5%
Methyl Ionone (violets aroma) 5%
Undecavertol 0.5%
Ethyl linalol 5%
Hedione 15%
Muscetone 5%
Ionone beta 3.5%
Phenyl ethylique alcohol 19% 

There’s a tantalising friction in the smell of iris root. It’s austere, but tender. It can be powdery, but it also suggests leather. Depending on the context, it can read as feminine or masculine. Iris Ardent resolves this fabled material’s dissonance in a compelling eau de parfum that balances all of iris’ contradictions. The opening spikes of cypress and vetiver provide the scaffolding for cushiony amber and powdery iris. Juniper’s bright twang illuminates the darkness of incense and moss. Intellectual, but accessible.