Best Ubar by Amouage Alternatives & Similar Perfumes

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.

Its name gives the clue. Orange tree in Spanish Arabic. There you are, standing on a Moroccan roof. An exquisite coolness wafts up, chasing the clinging heat of the day. The curtains move lazily in the breeze. Shadows of orange trees stretch in the setting sun.

According to ancient religious scriptures, Mary mother of Jesus was informed of her destiny by the Archangel Gabriel when she was about 13 years old. Artists over the centuries have been captivated by the idea of this scene, a startled schoolgirl recoiling in shock from the supernatural being. The lily, symbolizing purity and innocence, is not only a common element of these artworks, but is also the inspiration for this extrait. In principio, Latin for “in the beginning”, is a meditation on the creamy radiance of lily, supported by the down-low sensuality of ylang ylang. Mace, sweeter than nutmeg and softer than incense, lends clarity, while sweet/tart kumquat sharpens the focus.

Limited to 58 bottles, 48% extrait.

Blended with:

White lily absolute, 
Kumquat essential oil, 
Mace absolute, 
Nutmeg tincture, 
Bitter orange essential oil , 
Ylang Ylang essential oil, 
Elemi essential oil, 
Tuscan cypress essential oil, 
Pompia essential oil, 
Turkish rose absolute, 
Rosewood essential oil, 
Frankincense rivae, 
Juhi jasmine absolute, 
Cistus tincture, 
Ambergris.

Important notice:

Zanini blends are living botanical compositions, crafted entirely from natural materials and free from synthetic fixatives or stabilizers. As with all things living, subtle variations are part of their nature: over time, you may notice a gentle evolution in colour, texture, or the appearance of natural sediment. These are not imperfections, but part of the character of the raw materials themselves.

These blends are olfactive smellscapes (but neither aromatherapy, nor ‘spray-and-go’ perfumes) and sensory experiences, closer to works of art created in the scented plane (rather than, say, visual or audio).

Certain essential oils and absolutes that are used in Zanini’s 100% natural blends may potentially cause allergies in some people. Please spray Zanini’s blends on fabric (on sleeves, scarves, etc.). 

Zanini advise that those who are prone to allergic reactions, pregnant and nursing women, as well as people with chronic illnesses to be extra careful. Before trying natural blends, study the list of ingredients and consult with a doctor if you are not sure or a had a history of allergies. If you do decide to put these blends on your skin (unable to resist the temptation) always test the blend on the inside part of your elbow first and wait.

Do not spray these blends liberally as a cloud in the way you would spray a conventional perfume. Zanini’s smellscapes need to be… carefully applied and experienced. Be mindful that some oils can also make your skin hyper-sensitive to UV.

L'espérance est violente.

Mirabeau, what a pretty word, peculiarly Parisian, suspended above the Seine. It composes a memory, joins another bank, and returns by following its trail of sandalwood, pink bay and cedar. In the heart of the City of Light, on the way to the twilight of the day, there is a bridge, a poem and a perfume.

A discreet and symbolic bridge, of the master-builder spirit which transcends borders, becoming better by coming together. Those solid foundations of cedar, sandalwood and orcanox span love and musk.

A poem as slow as it is violent, expressing the brutal and desirable hope of the one who would like to believe, of the one who wants to love. Vanilla, I write your name on the water, with muffled traces of incense and violet green.

A perfume to save us, fish us silently out of the water, bringing us above the Seine, our spirits on the water of our essences, bergamot and pink berry mingled with fig in a glass bottle, fiercely reuniting bodies in unison with souls, coming back to her by following her wake.

A voluptuous amber built around the formidable floral trio of magnolia, peony and Bulgarian rose. Adding spice to the headiness is nutmeg and cardamom, and the lusciousness is heightened by a custardy vanilla, with a playful wink of tangerine. Tender orange blossom further encourages the decadence. Laetitia features millesimé notes: like in fine wines and liqueurs, these are the extracts obtained from the best years of production.

As the sun sinks over the dense tropical forest, civets emerge warily from the thickets. Under a carpet of narcotic flower blossoms, a smattering of coffee berries peppers the ground. The moist air is heavy with mossy aromas that penetrate every crevice, but the musky scent of the civets dominates; their marked territory daring one to enter at one’s own risk.

Civet pays homage to the age-old ingredient, civet, as well as chypre perfumes of bygone days – perfumes that refused to be intimidated by raw, alluring, animalistic musks. Civet is a moody and complex brew entwined in mystery. It opens with a spicy floral accord, threaded through with dark coffee tones. Slowly it prowls forward, unraveling base notes of leather, moss and vanilla that combines with distinctive civet musk to create a bewildering, sophisticated scent with the promise of a sultry nighttime rendezvous.

Perfumer: Shelley Waddington

The intense scent of Ylang Ylang, the “flower of flowers” with its long, tapered leaves: sweet, powdery, floral, strong, radiant and unmistakable, surrounded by a chorus of Frangipani flowers, Jasmine, Orange blossoms and Tiarè.

The name means “immortal saints”, and this eau de parfum is a timeless white floral that conjures sunshine and joy. Blood orange and Champagne fizz out of the top, swirling around lavish tuberose and heady jasmine grandiflorum. The holy trinity of Cashmeran, ISO E Super and ambroxan creates a base that clings to skin, fabric and memory. 

Perfumer: Maud Chabanis