Best Dear Sky by Ellis Brooklyn Alternatives & Similar Perfumes

A game that begins without warning. The urge to break the rules. A gaze that holds. Azureblush bursts with the tangy brightness of rhubarb with the juicy sweetness of lychee. Peony then softens and rounds the composition with a sunny floral facet, giving the fragrance its luminous and addictive dimension.

A vivid burst of green/fruity rhubarb and watery/rosy lychee sets the weekend mood. It’s pink sweatshirt day, and the scent matches the vibe. Witty, not cute — we’re not trying too hard, here. Sour cranberry cuts strawberry’s sweetness, and Champagne crispness is offset by white musk. You catch yourself in the mirror: “I’m good like this.”

Circa 1900, the cook for the governor of Queensland was in a jam. Asked to rustle up a dessert for last-minute guests, he improvised by cutting up day-old vanilla sponge into squares, then rolling them in chocolate and coconut. The guests were impressed, and “Lord Lamington” went from being a governor to an Australian culinary tradition, and now to a perfume. This edp features the treat’s strawberry, cream, coconut and chocolate, tempered by the crisp aromatics of bergamot and clary sage. The amber drydown lets you know you’re wearing a perfume and not a cake.

A milky green fig oozing sweet musk.

PERFUMER
FLORIAN GALLO

A sweet childhood memory reenacted.

A tangy and slightly green note of rhubarb mixed with the soft waxy smell of Granny Smith apples, grapefruit on top of  tender musks and cedarwood drydown.

The Flower of the Rising Sun!

The blooms of osmanthus, also known as sweet olive, exude sweet, fruity, leathery notes. In its creation bearing the blossom’s name, Molinard presents a surprising twist, blending the intoxicating floral notes of jasmine and tuberose with an irresistibly velvety duet of iris powder and apricot.

A sensuously carnal creation brimming with insouciance and freedom!

The floriental baroquesque parfum St. Paul's embodies an adoration and admiration to the spectacular era of Baroque. This style in architecture, music, art, sculpture demonstrates exalted movements, clear details, intense light and dark shadows, emotional exuberance, richness, extravaganza, which distinct baroque from other style. 

The English baroque represents iconic St. Paul's Cathedral, which dome has long dominated the London skyline. 

The perfume opens with the precious orange flower and jasmine absolutes with a hint of dried and juicy fruits, contrasting with the darker woody and balsamic base. 

The name means “immortal saints”, and this eau de parfum is a timeless white floral that conjures sunshine and joy. Blood orange and Champagne fizz out of the top, swirling around lavish tuberose and heady jasmine grandiflorum. The holy trinity of Cashmeran, ISO E Super and ambroxan creates a base that clings to skin, fabric and memory. 

Perfumer: Maud Chabanis

‘O absent presence, Stella is not here’

The fifth and final instalment of the Revenants collection draws inspiration from the Elizabethan poet Sir Philip Sidney. In his Sonnet sequence ‘Astrophel and Stella’ Sidney develops and captures the essence of a haunting… the presence of one that is always felt but never seen.

‘Now I, wit-beaten long by hardest fate,

So dull am, that I cannot look into

The ground of this fierce love and lovely hate,

Then some good body tell me how I do,

Whose presence absence, absent presence is;

Blesst in my curse, and cursed in my bliss.’