Best La Perla Signature by La Perla Alternatives & Similar Perfumes

‘O absent presence, Stella is not here’

The fifth and final instalment of the Revenants collection draws inspiration from the Elizabethan poet Sir Philip Sidney. In his Sonnet sequence ‘Astrophel and Stella’ Sidney develops and captures the essence of a haunting… the presence of one that is always felt but never seen.

‘Now I, wit-beaten long by hardest fate,

So dull am, that I cannot look into

The ground of this fierce love and lovely hate,

Then some good body tell me how I do,

Whose presence absence, absent presence is;

Blesst in my curse, and cursed in my bliss.’

A floral flight of a thousand fragrances from the Pays de Grasse.

Bel Air, in a contemporary interpretation, exalts the most exquisite flowers of Grasse in a sumptuous, luminous bouquet.

A fragrance in which Centifolia rose, jasmine, tuberose, iris, violet, and mimosa bloom sensuously, eternally. A genuine jewel of light, the bottle is a faithful replica of its predecessor, now tenderly tinged with coral. Bel Air, inspired by an idyllic garden, enchants the eye and heart with its petite pastel flask that radiates intensely bucolic beauty.

Perfumer: Michèle Saramito

A new addition to Bloom’s portfolio, an elegant cologne with sweet sun kissed citruses, honeyed neroli and amber background.

With classic formulas it’s the quality of the ingredients that matters. Marie Jeanne might be a new perfume house, but it’s founded by a young perfumer from a family connected to Robertet for several generations.

Robertet is a bit like De Beers of the fine natural perfume materials - matières premières, for decades they have been dealing with the finest, purest and most precious stuff a perfumer can dream of.

This is Marcelle, a classic elegant cologne but with highly likely the best bergamot from Italy, grapefruit from Spain, neroli from Tunisia and petigrain from Paraguay among other notes in the formula.

No. 89 has been an icon among the Floris collection for over 60 years. First crafted in 1951, No. 89 takes its name from the number of their flagship shop on Jermyn Street.

Ian Fleming who was a customer of Floris mentions No. 89 in his James Bond universe.

No. 89 is a classic and timeless mix of fresh citruses, sparkly spices and aromatic herbs resting on sandalwood and oakmoss. There is an adventurous romantic twist in the formula though: a drop of rose.

No. 89 could be a fragrance for the quintessential English gentleman.

A refreshing yuzu, green violet leaves and dry vetiver cologne. 003 is an easy-wearing interpretation of 19th century barber/pharmacist tonic infusions for gentlemen and ladies. Appealing in its deep shady coolness. 

Perfumer for 003: Natalie Kobus.

There’s a tantalising friction in the smell of iris root. It’s austere, but tender. It can be powdery, but it also suggests leather. Depending on the context, it can read as feminine or masculine. Iris Ardent resolves this fabled material’s dissonance in a compelling eau de parfum that balances all of iris’ contradictions. The opening spikes of cypress and vetiver provide the scaffolding for cushiony amber and powdery iris. Juniper’s bright twang illuminates the darkness of incense and moss. Intellectual, but accessible.

A fresh citrus perfume in which the bergamot aroma at the core is gently wrapped in soft, musky orange blossom and green neroli.

As always, Perris go for the best materials they can source from around the world. For Bergamotto Di Calabria they acquired special “sponge extraction” bergamot oil from Capua. In this region the traditional artisans still perform the extraction manually. Each fruit is sliced in half, the pulp removed, and the rind pressed on a natural sponge in a circular motion to collect the essence. The bergamot rind extract obtained with this method has the most delicate and complex aroma, with a hint of jasmine.

The blend also contains orange blossom absolute from the Italian Capua, Paraguaian petitgrain (the distillation of the twigs from the bitter orange tree), pepper from Timor Island, Moroccan neroli, and Haitian vetiver.

Early morning, October 1175, Calabria

The cool night air dissipates under the sun’s first rays. The ripe citrus in the field has absorbed all the water of the morning dew and the farmers are ready to work on the misty green fields, speckled by the bright yellow of the citron. They leave their woody cabin and take a deep breath…

L'espérance est violente.

Mirabeau, what a pretty word, peculiarly Parisian, suspended above the Seine. It composes a memory, joins another bank, and returns by following its trail of sandalwood, pink bay and cedar. In the heart of the City of Light, on the way to the twilight of the day, there is a bridge, a poem and a perfume.

A discreet and symbolic bridge, of the master-builder spirit which transcends borders, becoming better by coming together. Those solid foundations of cedar, sandalwood and orcanox span love and musk.

A poem as slow as it is violent, expressing the brutal and desirable hope of the one who would like to believe, of the one who wants to love. Vanilla, I write your name on the water, with muffled traces of incense and violet green.

A perfume to save us, fish us silently out of the water, bringing us above the Seine, our spirits on the water of our essences, bergamot and pink berry mingled with fig in a glass bottle, fiercely reuniting bodies in unison with souls, coming back to her by following her wake.

In India, flowers are sacred symbols and an essential part of daily life. “Malli Nadu” means “land of jasmine”, inspired by the paradise of perfume ingredients found in India. There’s jasmine sambac, cultivated in India since antiquity, with its radiant fruity/green sheen and animalic undertone. There’s tuberose, an opulent, powerful floral, along with davana, an aromatic plant unique to India with a profile that vibrates between apricot and herbaceous. Palmerosa oil supplies a geranium-like lift, while Indian vetiver and sandalwood deepens and softens the composition. Perfumer Ilias Ermenidis sought to translate the romance of India into this luminous scent, which he calls “a fragrance for lovers”