Best Beautiful by Estée Lauder Alternatives & Similar Perfumes

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

This “divine flower” is a luminous, untamed floral that captures the serenity of nature in motion. It starts bright and light: lemongrass and passion fruit, opening up to peony and lily of the valley. Watery, ethereal cyclamen drenches the richness of jasmine, ylang-ylang and narcissus like dew over a meadow. The drydown is green, a mingling of eucalyptus and sage with peppermint, juniper and pine, grounded by 
Mysore sandalwood and a hint of vanilla bourbon.

A rampage through a fantasy meadow. Lily-of-the-valley, orange blossom and lavender are crushed underfoot as you run riot across beauty. Lilac and lemon assert themselves in the carnage. Tonka bean and white musk ensures that this extrait strength perfume stays and plays.

White is a bright and lively fragrance built around the friction between hot spices and suave florals. The cinnamon, clove and cardamom opening suggests candied red hots, which makes it all the more surprising when the melange of rose de Mai and lily of the valley softly asserts itself. The undertone of tagete, with its bitter herbalness, keeps White from getting too “pretty-pretty”.

I was inspired while visiting Kew Gardens in London in May. Every May there are hundreds of blooming magnolia trees in different sorts, sizes, scents and colours. Usually it is a very rainy season and my inspiration was to create a scent of the water and rain on magnolia trees.  

The symbol of this modern perfume is an American modern dance pioneer Ruth St. Denis. She is not only a very talented performer, but also very feminine. 

Divine Dancer is an ethereal, watercoloured, light, fresh, feminine floral perfume. It is modern and vivacious fruity floral scent .

The Divine Dancer perfume is dedicated to one of the first American modern dance and ballet performers Ruth St. Denis.

Her vibrant and spirited art of dance, influenced by the East and South Asia, her divine body move and incredible costumes made Ruth St. Denis a worldwide well known star. Her body projects as Temple of femininity. 

When the dancer emerged from the darkness of the stage, her presence was immediately captivating, the air suddenly fragrant with her appearance. Adorned in jewels from head to toe, radiant in a special gold sari, her hair crowned in jasmine, she is an embodiment of divine feminine, mirroring the images of goddesses of Lakshmi and Saraswati but with the talented Ruth St. Denis touch of modern dance and ballet movement.

The Mediterranean freshness of the essence, whose citrus notes are accompanied by the sensuality of damask rose, sublimating in sinuous oriental echoes, is inspired by the colour that has made the frescoes of Pompeian domes famous and unmistakable all over the world.

The pigment obtained from the mineral cinnabar, Rossopompeiano, emblem of a part of the history the perfumer Agatho’s city, becomes a perfume.

Beaufort’s latest fragrance, the confounding and aquatic leaning Fathom V, broadly takes it’s cues from Shakespeare. Throughout The Tempest, the writer conjures vivid images of violent weather, shipwrecks and magical islands but the name Fathom V itself stems from a phrase gleaned from ‘Ariel’s Song’ within the play:

“Full fathom five thy father lies; 
Of his bones are coral made; 
Those are pearls that were his eyes: 
Nothing of him that doth fade, 
But doth suffer a sea-change 
Into something rich and strange.”

The idea of this ’sea-change’ and the constant tidal flux of the sea is properly explored in Fathom V with the overdosed use of contrasting materials: salt and earth, fragrant herbs and mosses, pleasant floral notes and intense dark spices encompassing and outlining the push and pull of the oceanic torrents. 

Grooming Guru on Fathom V:

"Fathom V’s cleverness lies in its ability to take the concept of an aquatic fragrance and turn it on its head. Instead of following the bright and breezy, surf’s up approach that so many marine scents take, it plots an entirely different course, taking the wearer on a dark, foggy, Gothic adventure that conjures up images of dark, 17th century sea ports full of smugglers, ships with moss-covered hulls and illegally obtained barrels of spice."

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Candy Perfume Boy on Fathom V:

"How Does it Smell? Like gunpowder, lush vegetation, murky waters and the barnacle-covered hulls of pirate ships."

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An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.

According to ancient religious scriptures, Mary mother of Jesus was informed of her destiny by the Archangel Gabriel when she was about 13 years old. Artists over the centuries have been captivated by the idea of this scene, a startled schoolgirl recoiling in shock from the supernatural being. The lily, symbolizing purity and innocence, is not only a common element of these artworks, but is also the inspiration for this extrait. In principio, Latin for “in the beginning”, is a meditation on the creamy radiance of lily, supported by the down-low sensuality of ylang ylang. Mace, sweeter than nutmeg and softer than incense, lends clarity, while sweet/tart kumquat sharpens the focus.

Limited to 58 bottles, 48% extrait.

Blended with:

White lily absolute, 
Kumquat essential oil, 
Mace absolute, 
Nutmeg tincture, 
Bitter orange essential oil , 
Ylang Ylang essential oil, 
Elemi essential oil, 
Tuscan cypress essential oil, 
Pompia essential oil, 
Turkish rose absolute, 
Rosewood essential oil, 
Frankincense rivae, 
Juhi jasmine absolute, 
Cistus tincture, 
Ambergris.

Important notice:

Zanini blends are living botanical compositions, crafted entirely from natural materials and free from synthetic fixatives or stabilizers. As with all things living, subtle variations are part of their nature: over time, you may notice a gentle evolution in colour, texture, or the appearance of natural sediment. These are not imperfections, but part of the character of the raw materials themselves.

These blends are olfactive smellscapes (but neither aromatherapy, nor ‘spray-and-go’ perfumes) and sensory experiences, closer to works of art created in the scented plane (rather than, say, visual or audio).

Certain essential oils and absolutes that are used in Zanini’s 100% natural blends may potentially cause allergies in some people. Please spray Zanini’s blends on fabric (on sleeves, scarves, etc.). 

Zanini advise that those who are prone to allergic reactions, pregnant and nursing women, as well as people with chronic illnesses to be extra careful. Before trying natural blends, study the list of ingredients and consult with a doctor if you are not sure or a had a history of allergies. If you do decide to put these blends on your skin (unable to resist the temptation) always test the blend on the inside part of your elbow first and wait.

Do not spray these blends liberally as a cloud in the way you would spray a conventional perfume. Zanini’s smellscapes need to be… carefully applied and experienced. Be mindful that some oils can also make your skin hyper-sensitive to UV.

A pretty honeyed floral with some ambery background. Magnolias, violets, jasmine, ylang-ylang are all in the bouquet thrown on satin blanket of white musk and Siam benzoin.

The Sniff on Latin Lover by Carner:

"The [opening] florals recede into a pretty, flowery fug in the base of the scent, still heady, still very flowery, sweet and powerful, but the notes become less discernible from one another. The warmth remains and, at times, this perfume just really smells like sunshine on naked skin. On a cold, drizzly Yorkshire day this is indeed a joyous thing!"

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