Best Byzance by Rochas Alternatives & Similar Perfumes

A bright, multi faceted, spring-like floral with a citrus edge featuring sweet Turkish roses.

Bon Parfumeur open olfactive dimensions and invite you to add your own story.

Try 101 for an effervescent bouquet of pink flowers.

Perfumer: Alexandra Monet 

This monster of an “anti-perfume” is simultaneously clean and dense, the olfactory interpretation of the building material. Aptly encased in a grey concrete bottle, this eau de parfum is an astonishingly diffusive blend of sandalwood, rose and spices, with a powerful smoothness that mimics the material's satisfying surface.

A collaboration with Miguel Matos.

Clean, abstract and intriguing. Is it the smell of the new velvet seats in a dark cinema? Or the conditioned cool air? Or the fragrant echoes of trendy perfumes floating in between the spectators?

Cinematic is put together from an overdose of clean white musk, crisp hazy cashmeran, dry savory spices and a few drops of bitter carnation essence.

An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.

Santal takes its inspiration from a Sandalwood fragrance originally created in the 1800s which has then been given a distinctive contemporary edge.

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

In 1912, Houbigant's perfumer Robert Bienaimé picked up the ball from Paul Parquet (who earlier invented the whole fougere category while working for Houbigant at the end of the 18th century) and introduced Quelques Fleurs, one of Houbigant’s all-time great fragrances and the first multi-floral bouquet ever created.

The current owners of Houbigant take the heritage and history of the house very seriously and try to adapt the famous formulas from the 18th and 19th centuries to the 21st century's tastes and technologies while keeping the character and old-school flair as close as possible to the originals.

You might have read about Quelques Fleurs in books on perfume and the guides on the greatest perfumes of all time.

The current reincarnation is an adaptation of the original formula to modern times taste and it benefits from modern advances in perfume making.

Meet the 21st century Quelques Fleurs, a gorgeous romantic floral with a big history and an infinite number of floral facets.

In India, flowers are sacred symbols and an essential part of daily life. “Malli Nadu” means “land of jasmine”, inspired by the paradise of perfume ingredients found in India. There’s jasmine sambac, cultivated in India since antiquity, with its radiant fruity/green sheen and animalic undertone. There’s tuberose, an opulent, powerful floral, along with davana, an aromatic plant unique to India with a profile that vibrates between apricot and herbaceous. Palmerosa oil supplies a geranium-like lift, while Indian vetiver and sandalwood deepens and softens the composition. Perfumer Ilias Ermenidis sought to translate the romance of India into this luminous scent, which he calls “a fragrance for lovers”

September 1757, Casino Venier, Venice

A powdery floral fragrance based on authentic 18th century cosmetic formulas.

A coquettish floral capturing the decadence of 18th century Venice, its rococo interiors and clandestine affairs: a powdery blend of black violet, blush rose, and chamomile nestled on an impossibly soft base of dusty iris and subtle, animalic amber. 

An electrified lily-of-the-valley spark, modern molecules reanacting a vintage theme. Also a romantic scented scetch on kings giving in to the magic of love.

Notes from the brand:

"The curtain rises on a state at the corner of 69 rue des Archives, in the Marais, Paris. A place that is like a frontier, where the old world ends and the new world begins. The pale moon can be seen lowering over the towers of Notre Dame in the distance. A man and a woman are in a perfumery, surrounded by bottles. He has yielded in submission to a fallen sovereign and is condemned to the ultimate fate. She is the new soul, the new role, she is desirable and she has conquered. She is the denunciation, a touch condescending. The fluttering of her eyelashes declares she is the one whose hour of glory has arrived, a scent testing blotter in hand."