Best Eau de Cartier by Cartier Alternatives & Similar Perfumes

The tart sweetness of bergamot and yuzu is the pale moon rising over a landscape of aromatic lavender and silky sandalwood. The sharpness of cedarwood begins to subtly assert itself, underscored by a violet echo of orris, inviting you into a realm of serene oblivion.

A fresh-out-of-the shower fragrance, conjuring soft skin dabbed dry with a plush cotton towel, sunshine-fluffed from the laundry line. Elisa elevates yuzu and candied bergamot away from straight lemon sherbet with beguiling florals: Indian davana and Tunisian orange blossom. Sensual sandalwood, musk and benzoin upholster the innocence with knowingness. A scent to make you feel happy, safe and sunny.

I was inspired while visiting Kew Gardens in London in May. Every May there are hundreds of blooming magnolia trees in different sorts, sizes, scents and colours. Usually it is a very rainy season and my inspiration was to create a scent of the water and rain on magnolia trees.  

The symbol of this modern perfume is an American modern dance pioneer Ruth St. Denis. She is not only a very talented performer, but also very feminine. 

Divine Dancer is an ethereal, watercoloured, light, fresh, feminine floral perfume. It is modern and vivacious fruity floral scent .

The Divine Dancer perfume is dedicated to one of the first American modern dance and ballet performers Ruth St. Denis.

Her vibrant and spirited art of dance, influenced by the East and South Asia, her divine body move and incredible costumes made Ruth St. Denis a worldwide well known star. Her body projects as Temple of femininity. 

When the dancer emerged from the darkness of the stage, her presence was immediately captivating, the air suddenly fragrant with her appearance. Adorned in jewels from head to toe, radiant in a special gold sari, her hair crowned in jasmine, she is an embodiment of divine feminine, mirroring the images of goddesses of Lakshmi and Saraswati but with the talented Ruth St. Denis touch of modern dance and ballet movement.

A refreshing yuzu, green violet leaves and dry vetiver cologne. 003 is an easy-wearing interpretation of 19th century barber/pharmacist tonic infusions for gentlemen and ladies. Appealing in its deep shady coolness. 

Perfumer for 003: Natalie Kobus.

Masa is the Arabic word for a one-of-a-kind diamond, and this EdP embodies the diamond’s luminosity through a balance of herbal freshness and ambered wood notes. Masa opens with a crisp combo of bergamot and grapefruit highlighted by the warm spice of ginger root. Mirabelle, a sweet golden plum, becomes the focal point, its honeyed floral charms suspended in a radiant amber syrup of cardamom, vanilla, guaiac wood and patchouli. A stealth violet leaf, a throwback to vintage elegance, steers Masa towards leather.

‘O absent presence, Stella is not here’

The fifth and final instalment of the Revenants collection draws inspiration from the Elizabethan poet Sir Philip Sidney. In his Sonnet sequence ‘Astrophel and Stella’ Sidney develops and captures the essence of a haunting… the presence of one that is always felt but never seen.

‘Now I, wit-beaten long by hardest fate,

So dull am, that I cannot look into

The ground of this fierce love and lovely hate,

Then some good body tell me how I do,

Whose presence absence, absent presence is;

Blesst in my curse, and cursed in my bliss.’

An enigmatic being, seen by locals in the late 1990s wandering the Swiss woodlands of Maules, dressed in a camouflage cape and a vintage gas mask. No one knew if they were woman or man, or even human, but this 6’3” creature was always observed picking and smelling flowers. When the cryptid disappeared forever after ten years of sightings, Le Matin reported that the mask and the cape were found in the forest, along with a note signed “Fantôme de Maules”. 

This olfactory tribute summons the forest that was the stranger’s haven: green leaves, galbanum, lavender, oakmoss and vetiver. A scent that’s part barbershop, part woodland escape. Who was this “ghost”, anyway? We will never know, because they don’t want us to. The modern world is alight with information and the shadows are shrinking. So here’s one for perfume lovers who don’t feel it necessary to explain themselves.

Madrigal harks back to Molinard's masculin fragrances of the 1930s. Citrusy and aromatic with notes of lemon and lavender, With woody tones Madrigal is a step away from sunny Provence, towards the chic French autumn. A multitude of cosy and enveloping moments created with notes of incense, cedar and patchouli.

Terram captures the Mediterranean embrace of autumn. The path winding up from the beach is silent. Sweet aromatic notes of dry soil and clifftop pines float in the air. A haze of ambery benzoin and dusty patchouli settles over musk. Warm, woody, still — this is a fragrant mood that comforts and lulls. 

Opening with sparkling notes of lime and mandarin tempered with pink pepper and a green accord, delicate cherry blossom with soft almond aromas enhanced with powdery violets and creamy vanilla. Elusive elegance, realising the power of subtlety, radiating an inner confidence - to be worn with an innate love of understated good taste.