Best Eau Sauvage Parfum by Dior Alternatives & Similar Perfumes

A fresh citrus perfume featuring the vintage citron note (‘cedro’ in Italian), with its delicious sour-sweet, musky aroma.

As always, Perris go for the best materials they can source from around the world. They procure the citron (citrus medica in Latin) right where it originates from the province of Cosenza, Calabria, on the southwestern coast of Italy. The diamante citron is uniquely non-acidic citrus with a fresh and sweet flavour. It is often used for culinary purposes, so you might catch a bit of a cute citrus candy or limoncello in the aroma of Cedro di Diamante.

At one point in the 80’s, citron was nearly abandoned by perfumers because of the high content of furocumarins, which had become restricted. Modern technology enables perfumers to extract the citron oil without furocumarins, and the citron note can now be enjoyed in perfumes again.

Perfumer: Sidonie Lancesseur

The Materie Premiere collection. 

A soft, bitter-sweet tonka and cooling lavender blend. Marie Jeanne’s beautiful vision of a 21^st century fougere.

A timeless, traditional cologne: fresh, versatile and eternally elegant like all true classics. The fragrance expresses all its radiant freshness with the most intoxicating citrus aromas: Bergamot, Lemon and Orange are a perfect contrast to the Lavender and invigorating Mediterranean herbs.

Escape, silence, splendor, serenity. Sometimes, it’s the simple pleasures of nature that are the most addictive. Let Breathe expand your horizons with aromatic airs of lavender and bergamot. A breath of fresh air to replenish your spirit.

One has a sophisticated charm, confidence and sports impeccable tailoring, need we say more? Debonaire is your go to Plowden & Fallow fragrance for everyday wear be that wondering the streets of Chelsea, attending a mid-summer garden party, or those days spent in the office followed by a post work drink.

For here we have an example of aromatic tailoring of the finest order; a fragrant citrus head has been carefully woven into a delightfully musky floral base from which gentle woody notes ascend forth.

DÔL translates to meadow and is pronounced "Dole".

Homage to a traditional fougere opens with restorative bergamot and grapefruit before settling into the soft and velvety notes of lavender and hay. This niche perfume its redolent of meandering through Welsh meadows, grounding vetiver echoes the fields of ORTIR.

An enigmatic being, seen by locals in the late 1990s wandering the Swiss woodlands of Maules, dressed in a camouflage cape and a vintage gas mask. No one knew if they were woman or man, or even human, but this 6’3” creature was always observed picking and smelling flowers. When the cryptid disappeared forever after ten years of sightings, Le Matin reported that the mask and the cape were found in the forest, along with a note signed “Fantôme de Maules”. 

This olfactory tribute summons the forest that was the stranger’s haven: green leaves, galbanum, lavender, oakmoss and vetiver. A scent that’s part barbershop, part woodland escape. Who was this “ghost”, anyway? We will never know, because they don’t want us to. The modern world is alight with information and the shadows are shrinking. So here’s one for perfume lovers who don’t feel it necessary to explain themselves.

This fragrance captures the essence of a Chinese summer — the tingling mint and cool eucalyptus of dusky mountain air, the aromatics of shiso, lavender and chamomile as the darkness deepens, the grounding woods and greens of cypress, vetiver and galbanum. A dream of summer rewritten — nostalgic and gently magical.

Perfumer: Jin Yongshan

Perfumer: Dominique Moellhausen

The sexy and impressive urbanite’s work is done for the day. He strides down the street with a nonchalant air, people noticing his clean, aromatic and seductive scent. A confident and cool vibe swirls around him. With sparkling citrus, woody vetiver and rich amber giving a fresh but dark diffusion.   

‘O absent presence, Stella is not here’

The fifth and final instalment of the Revenants collection draws inspiration from the Elizabethan poet Sir Philip Sidney. In his Sonnet sequence ‘Astrophel and Stella’ Sidney develops and captures the essence of a haunting… the presence of one that is always felt but never seen.

‘Now I, wit-beaten long by hardest fate,

So dull am, that I cannot look into

The ground of this fierce love and lovely hate,

Then some good body tell me how I do,

Whose presence absence, absent presence is;

Blesst in my curse, and cursed in my bliss.’