Best Fendi by Fendi Alternatives & Similar Perfumes

White is a bright and lively fragrance built around the friction between hot spices and suave florals. The cinnamon, clove and cardamom opening suggests candied red hots, which makes it all the more surprising when the melange of rose de Mai and lily of the valley softly asserts itself. The undertone of tagete, with its bitter herbalness, keeps White from getting too “pretty-pretty”.

The green, relaxing scents of the Tuscan countryside blend with the liveliness of exotic spices. Cypress and Cinnamon, Bay and Pepper, Tomato and Cardamom leaves all dance together to create a rich, fresh, unique fragrance.

Created by Master Perfumer Paul Parquet in 1882, Fougère Royale completely revolutionized the world of perfumes and established modern perfumery as it exists today. As well as creating an entirely new fragrance family, Parquet had succeeded in extracting isolated, synthetic molecules from natural, raw materials. In the dedicated pursuit to expand olfactory palettes with novel, new aromas, he’d derived coumarin from the tonka bean in a worldwide premiere. In its mission to authentically replicate the original, regal masterpiece from centuries past, the reengineered formula cultivates refined, prestigious raw materials of the highest quality and provenance. This masterfully revamped Fougère Royale retains its elegant, noble, refined pulse and its pleasant, pastoral beauty.

The perfectly-blended perfume is redolent of green and fragrant foliage with densely shaded woodlands. Sweet green grasses suggest the freshly-released essences of a crushed and dewy verdure, with an intense hint of newly-mown hay.

Fougère Royale’s nuanced scent composition opens with a vibrant, sparkling cocktail of bergamot, lavender and Mediterranean herbs. The heart follows, with floral-spicy Rondeletia accord, rare in most perfumes. Opening into rich geranium and warm spices. A floral intermezzo showcases rare rose essences and absolutes, spiked by pepper, cinnamon and carnation. Finally, a grand finale of earthy, ambery and woody harmonies, where moss notes join a sensual patchouli enriched by warm coumarinic undertones of tonka beans and clary sage absolute.

This is a one-of-a-kind mix of musky jasmine and balsamic black hemlock. It's a perfume formed of echoes: the summery echo of jasmine bouncing off cool hemlock, the smoky echo of sandalwood vibrating against spices, and many more.

Opening with sparkling notes of lime and mandarin tempered with pink pepper and a green accord, delicate cherry blossom with soft almond aromas enhanced with powdery violets and creamy vanilla. Elusive elegance, realising the power of subtlety, radiating an inner confidence - to be worn with an innate love of understated good taste.

A collaboration with Miguel Matos.

Clean, abstract and intriguing. Is it the smell of the new velvet seats in a dark cinema? Or the conditioned cool air? Or the fragrant echoes of trendy perfumes floating in between the spectators?

Cinematic is put together from an overdose of clean white musk, crisp hazy cashmeran, dry savory spices and a few drops of bitter carnation essence.

Perfumer: Bertrand Duchaufour

Visual artist: landscape artist/photographer Martin Hill.

The same way in which Martin goes to a sight and rearranges what nature left there into an installation, the perfumer rearranged some molecules and materials to put the beauty of a natural material into focus.

Also Martin aims to let his structures be absorbed back into natural chaos. Perfume evaporates into the environment in a similar fashion, beautiful but transient.

In Vanilla Shot all of the focus is on vanilla (natural, dark and balsamic). The concept of the perfume is inspired by a photo of a piece of Martin Hill's land art shot at dreamy dusk (below). The twigs used in the structure balanced over the lake are reminiscent of vanilla beans. The installation transcends two planes - liquid and ether and in the perfume vanilla spans the sweet and bitter corners of the scented universe. Vanilla Shot is not an ordinary sweet gourmand. In this perfume all nuances of natural vanilla get proper attention: balsamic, fruity, spicy, sweet and even leathery.

Perfumer: Michèle Saramito

A new addition to Bloom’s portfolio, an elegant cologne with sweet sun kissed citruses, honeyed neroli and amber background.

With classic formulas it’s the quality of the ingredients that matters. Marie Jeanne might be a new perfume house, but it’s founded by a young perfumer from a family connected to Robertet for several generations.

Robertet is a bit like De Beers of the fine natural perfume materials - matières premières, for decades they have been dealing with the finest, purest and most precious stuff a perfumer can dream of.

This is Marcelle, a classic elegant cologne but with highly likely the best bergamot from Italy, grapefruit from Spain, neroli from Tunisia and petigrain from Paraguay among other notes in the formula.

An electrified lily-of-the-valley spark, modern molecules reanacting a vintage theme. Also a romantic scented scetch on kings giving in to the magic of love.

Notes from the brand:

"The curtain rises on a state at the corner of 69 rue des Archives, in the Marais, Paris. A place that is like a frontier, where the old world ends and the new world begins. The pale moon can be seen lowering over the towers of Notre Dame in the distance. A man and a woman are in a perfumery, surrounded by bottles. He has yielded in submission to a fallen sovereign and is condemned to the ultimate fate. She is the new soul, the new role, she is desirable and she has conquered. She is the denunciation, a touch condescending. The fluttering of her eyelashes declares she is the one whose hour of glory has arrived, a scent testing blotter in hand."

This monster of an “anti-perfume” is simultaneously clean and dense, the olfactory interpretation of the building material. Aptly encased in a grey concrete bottle, this eau de parfum is an astonishingly diffusive blend of sandalwood, rose and spices, with a powerful smoothness that mimics the material's satisfying surface.