Best L'Air du Temps by Nina Ricci Alternatives & Similar Perfumes

September 1757, Casino Venier, Venice

A powdery floral fragrance based on authentic 18th century cosmetic formulas.

A coquettish floral capturing the decadence of 18th century Venice, its rococo interiors and clandestine affairs: a powdery blend of black violet, blush rose, and chamomile nestled on an impossibly soft base of dusty iris and subtle, animalic amber. 

This “divine flower” is a luminous, untamed floral that captures the serenity of nature in motion. It starts bright and light: lemongrass and passion fruit, opening up to peony and lily of the valley. Watery, ethereal cyclamen drenches the richness of jasmine, ylang-ylang and narcissus like dew over a meadow. The drydown is green, a mingling of eucalyptus and sage with peppermint, juniper and pine, grounded by 
Mysore sandalwood and a hint of vanilla bourbon.

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

In 1912, Houbigant's perfumer Robert Bienaimé picked up the ball from Paul Parquet (who earlier invented the whole fougere category while working for Houbigant at the end of the 18th century) and introduced Quelques Fleurs, one of Houbigant’s all-time great fragrances and the first multi-floral bouquet ever created.

The current owners of Houbigant take the heritage and history of the house very seriously and try to adapt the famous formulas from the 18th and 19th centuries to the 21st century's tastes and technologies while keeping the character and old-school flair as close as possible to the originals.

You might have read about Quelques Fleurs in books on perfume and the guides on the greatest perfumes of all time.

The current reincarnation is an adaptation of the original formula to modern times taste and it benefits from modern advances in perfume making.

Meet the 21st century Quelques Fleurs, a gorgeous romantic floral with a big history and an infinite number of floral facets.

This monster of an “anti-perfume” is simultaneously clean and dense, the olfactory interpretation of the building material. Aptly encased in a grey concrete bottle, this eau de parfum is an astonishingly diffusive blend of sandalwood, rose and spices, with a powerful smoothness that mimics the material's satisfying surface.

Created by Master Perfumer Paul Parquet in 1882, Fougère Royale completely revolutionized the world of perfumes and established modern perfumery as it exists today. As well as creating an entirely new fragrance family, Parquet had succeeded in extracting isolated, synthetic molecules from natural, raw materials. In the dedicated pursuit to expand olfactory palettes with novel, new aromas, he’d derived coumarin from the tonka bean in a worldwide premiere. In its mission to authentically replicate the original, regal masterpiece from centuries past, the reengineered formula cultivates refined, prestigious raw materials of the highest quality and provenance. This masterfully revamped Fougère Royale retains its elegant, noble, refined pulse and its pleasant, pastoral beauty.

The perfectly-blended perfume is redolent of green and fragrant foliage with densely shaded woodlands. Sweet green grasses suggest the freshly-released essences of a crushed and dewy verdure, with an intense hint of newly-mown hay.

Fougère Royale’s nuanced scent composition opens with a vibrant, sparkling cocktail of bergamot, lavender and Mediterranean herbs. The heart follows, with floral-spicy Rondeletia accord, rare in most perfumes. Opening into rich geranium and warm spices. A floral intermezzo showcases rare rose essences and absolutes, spiked by pepper, cinnamon and carnation. Finally, a grand finale of earthy, ambery and woody harmonies, where moss notes join a sensual patchouli enriched by warm coumarinic undertones of tonka beans and clary sage absolute.

Originally created at the Jermyn Street shop by Mr John Floris in the early 1800s. Devoted wearers of the fragrance have included Florence Nightingale, and Lord Admiral Nelson is reported to have bought Floris White Rose for his mistress, Lady Hamilton.

White Rose is a classic take on a classic theme. This perfume is quite stately in its introvert elegance. Carnations meet a bouquet of other flowers and in the powdery mist of orris it's not quite possible to tell the fresh roses from spicy carnations.

Inspired by the weightlessness of a day without plans or obligations. Effervescent top notes of ripe peach and bergamot levitate over wild orchid, crisp linen and sequoia wood. Aldehydes swirl airy musk in a cloud around you.

According to ancient religious scriptures, Mary mother of Jesus was informed of her destiny by the Archangel Gabriel when she was about 13 years old. Artists over the centuries have been captivated by the idea of this scene, a startled schoolgirl recoiling in shock from the supernatural being. The lily, symbolizing purity and innocence, is not only a common element of these artworks, but is also the inspiration for this extrait. In principio, Latin for “in the beginning”, is a meditation on the creamy radiance of lily, supported by the down-low sensuality of ylang ylang. Mace, sweeter than nutmeg and softer than incense, lends clarity, while sweet/tart kumquat sharpens the focus.

Limited to 58 bottles, 48% extrait.

Blended with:

White lily absolute, 
Kumquat essential oil, 
Mace absolute, 
Nutmeg tincture, 
Bitter orange essential oil , 
Ylang Ylang essential oil, 
Elemi essential oil, 
Tuscan cypress essential oil, 
Pompia essential oil, 
Turkish rose absolute, 
Rosewood essential oil, 
Frankincense rivae, 
Juhi jasmine absolute, 
Cistus tincture, 
Ambergris.

Important notice:

Zanini blends are living botanical compositions, crafted entirely from natural materials and free from synthetic fixatives or stabilizers. As with all things living, subtle variations are part of their nature: over time, you may notice a gentle evolution in colour, texture, or the appearance of natural sediment. These are not imperfections, but part of the character of the raw materials themselves.

These blends are olfactive smellscapes (but neither aromatherapy, nor ‘spray-and-go’ perfumes) and sensory experiences, closer to works of art created in the scented plane (rather than, say, visual or audio).

Certain essential oils and absolutes that are used in Zanini’s 100% natural blends may potentially cause allergies in some people. Please spray Zanini’s blends on fabric (on sleeves, scarves, etc.). 

Zanini advise that those who are prone to allergic reactions, pregnant and nursing women, as well as people with chronic illnesses to be extra careful. Before trying natural blends, study the list of ingredients and consult with a doctor if you are not sure or a had a history of allergies. If you do decide to put these blends on your skin (unable to resist the temptation) always test the blend on the inside part of your elbow first and wait.

Do not spray these blends liberally as a cloud in the way you would spray a conventional perfume. Zanini’s smellscapes need to be… carefully applied and experienced. Be mindful that some oils can also make your skin hyper-sensitive to UV.

No. 89 has been an icon among the Floris collection for over 60 years. First crafted in 1951, No. 89 takes its name from the number of their flagship shop on Jermyn Street.

Ian Fleming who was a customer of Floris mentions No. 89 in his James Bond universe.

No. 89 is a classic and timeless mix of fresh citruses, sparkly spices and aromatic herbs resting on sandalwood and oakmoss. There is an adventurous romantic twist in the formula though: a drop of rose.

No. 89 could be a fragrance for the quintessential English gentleman.