Best Minotaure by Paloma Picasso Alternatives & Similar Perfumes

A beach party… from Ibiza to Miami

Pierre Guillaume revisits chypre a classical perfume formula by boldly redrawing its outlines to offer a modern, hybrid composition.

Though the scent is built around classic chypre ingredients: patchouli, vetiver, labdanum, vanilla and oak moss the fruity aromatic twist adds an offbeat, playful touch.

Lime, fresh mint, strawberry aldehydes and rum absolute make up an explosive, exhilarating mojito accord that conjures the atmosphere of beach parties and summer celebrations.

 As the perfume quietens down, the chypre structure asserts itself with warm woods and sensual moss.

A nostalgic soap scent that’s fresh and creamy, based on the tissue thin, dissolving paper soap available in Japan. Lavender and aldehydes soften into rose, jasmine and lily-of-the-valley, conjuring vintage sudsiness.

Perfumer: Julien Plos

The charming and playful dancer warms up before her debut. Talented and passionate she radiates confidence and anticipation. Deliciously, exciting and unexpected. Sweet almond and ripe cherries contrast with sandalwood and vanilla for a floral, sweet and woody intensity. 

Perfumer: Bertrand Duchaufour

Visual artist: landscape artist/photographer Martin Hill.

The same way in which Martin goes to a sight and rearranges what nature left there into an installation, the perfumer rearranged some molecules and materials to put the beauty of a natural material into focus.

Also Martin aims to let his structures be absorbed back into natural chaos. Perfume evaporates into the environment in a similar fashion, beautiful but transient.

In Vanilla Shot all of the focus is on vanilla (natural, dark and balsamic). The concept of the perfume is inspired by a photo of a piece of Martin Hill's land art shot at dreamy dusk (below). The twigs used in the structure balanced over the lake are reminiscent of vanilla beans. The installation transcends two planes - liquid and ether and in the perfume vanilla spans the sweet and bitter corners of the scented universe. Vanilla Shot is not an ordinary sweet gourmand. In this perfume all nuances of natural vanilla get proper attention: balsamic, fruity, spicy, sweet and even leathery.

Jade line

Perfumer: Philippine Courtere

Irisation or cloud iridescence is a colorful optical phenomenon that occurs in clouds lit by sun or moon disks behind. The pattern resembles a chaotic dance of a rainbow on a soap bubble.

This seems to be the logic of the perfume formula: iridescent jasmine with swirls of red strawberry, ochre praline, ambery vanilla, green bergamot, cool iononic rose and violet blackcurrant 

“Bain de minuit” is French for “skinny dipping”, and what could be more decadent than a midnight splash au natural in a giant vat of strawberries, cherries and vanilla? The initial fruity-tootiness gives way to a tough ‘n’ tropical accord of monoï oil and leather, with jasmine and praline singing the high and low harmonies.

Gratia Aestiva is Latin for “summer grace”, and this extrait is an absolute abundance of sundrunk fruit. Punchy pineapple, melon and strawberry wave a big HELLO right out of the bottle, while passion fruit, with its tangy, grapefruit bite, tempers the sweetness with rawness. Indian jasmine adds floral fullness on a spiced bed of coriander and ambered woods. On the right side of too much.

Pergola opens with the most incredible rush of twisted green vegetation and instantly transports you back to the heyday of that decadent walkway. There is so much happening in here but the notes of galbanum, bergamot, and ivy are particularly spectacular. The floral heart is a swooning blend of narcissus, tuberose, and jasmine but the pergola’s passage of history is provided by an earthy pairing of patchouli and vetiver. You get a real impression of its heritage from touches of resins and moss and, whilst it’s described as a fougere, there is definitely a feeling of the most glorious aromatic chypre.

September 1757, Casino Venier, Venice

A powdery floral fragrance based on authentic 18th century cosmetic formulas.

A coquettish floral capturing the decadence of 18th century Venice, its rococo interiors and clandestine affairs: a powdery blend of black violet, blush rose, and chamomile nestled on an impossibly soft base of dusty iris and subtle, animalic amber. 

Circa 1900, the cook for the governor of Queensland was in a jam. Asked to rustle up a dessert for last-minute guests, he improvised by cutting up day-old vanilla sponge into squares, then rolling them in chocolate and coconut. The guests were impressed, and “Lord Lamington” went from being a governor to an Australian culinary tradition, and now to a perfume. This edp features the treat’s strawberry, cream, coconut and chocolate, tempered by the crisp aromatics of bergamot and clary sage. The amber drydown lets you know you’re wearing a perfume and not a cake.