Peau

Idealized memory of lover’s skin fragrance
Aromatic
Leather
Vintage/old school
Top Notesclary sage
Heartambergriscorianderwhite pepper
Base Notesambermaxdeer musklabdanumleatherokoume woodsea weed
Tags #animalic #fresh #sexy
Style unisex

AD 134, Villa Adriana, Tivoli, Italy.

The nape of the neck, the idealized scent of a lover and a lost embrace. Peau is based on Roman Emperor Hadrian's memories of Antinoös, his lost lover. The soft, salty and musky scent is an evocation of youth and life. From top, heart and base notes, it includes in itself the promise of intimacy and the indescribable memory of skin.

Peau is the olfactive restoration of the human body, a sublime epitaph through our sense of smell. It’s soft cruelty lies in its evocation of youth, thus life, which by nature is impermanent. From top, heart and base notes, it includes in itself the fullest promise the full spectrum of life, from beginning to end.

In this description we have included the fascinating history behind Arquiste's concept for Peau:
It starts with an Imperial romance: The reign of emperor Hadrian in AD 117-38 was marked by military campaigns and building projects, including the famous wall across the north of England at the edge of the Roman Empire. Hadrian had married into the imperial family, but in his late forties he met a Greek youth named Antinoös (or Antinous) from Bithynia, now in modern Turkey, possibly during a tour of the province in AD 123. The young ephebe became the emperor’s lover.

Hadrian founded a city called Antinoopolis at the place where his lover died, and made him into a god- an honor usually reserved for member’s of the emperor’s family. Hadrian publicly commemorated Antinoös in huge numbers of statues, figures, portraits and coins across the known Roman world, an almost unparalleled memorial to a lost love.

Against pessimism, the virtue of melancholy lies in defining a memory against the “dark void”. A memory can be compared to a portrait defined in our mind like the fine lines of shapes and figures against an opaque background. The memory of a loved one, of their skin, of an idealized memory or experience, remains in our minds longer than the actual material body it evokes. This is also the memory of something lost. In the Antique world, the spiritual world takes the shape of man: preserving the contours of its physical presence, i.e. the human body, is the only way to memorialize it through the passing of centuries.

Featured in edits and sample packs Aphrodisiacs: Fantasy and Reality | Uni
Top Notesclary sage
Heartambergriscorianderwhite pepper
Base Notesambermaxdeer musklabdanumleatherokoume woodsea weed
Tags #animalic #fresh #sexy
Style unisex

AD 134, Villa Adriana, Tivoli, Italy.

The nape of the neck, the idealized scent of a lover and a lost embrace. Peau is based on Roman Emperor Hadrian's memories of Antinoös, his lost lover. The soft, salty and musky scent is an evocation of youth and life. From top, heart and base notes, it includes in itself the promise of intimacy and the indescribable memory of skin.

Peau is the olfactive restoration of the human body, a sublime epitaph through our sense of smell. It’s soft cruelty lies in its evocation of youth, thus life, which by nature is impermanent. From top, heart and base notes, it includes in itself the fullest promise the full spectrum of life, from beginning to end.

In this description we have included the fascinating history behind Arquiste's concept for Peau:
It starts with an Imperial romance: The reign of emperor Hadrian in AD 117-38 was marked by military campaigns and building projects, including the famous wall across the north of England at the edge of the Roman Empire. Hadrian had married into the imperial family, but in his late forties he met a Greek youth named Antinoös (or Antinous) from Bithynia, now in modern Turkey, possibly during a tour of the province in AD 123. The young ephebe became the emperor’s lover.

Hadrian founded a city called Antinoopolis at the place where his lover died, and made him into a god- an honor usually reserved for member’s of the emperor’s family. Hadrian publicly commemorated Antinoös in huge numbers of statues, figures, portraits and coins across the known Roman world, an almost unparalleled memorial to a lost love.

Against pessimism, the virtue of melancholy lies in defining a memory against the “dark void”. A memory can be compared to a portrait defined in our mind like the fine lines of shapes and figures against an opaque background. The memory of a loved one, of their skin, of an idealized memory or experience, remains in our minds longer than the actual material body it evokes. This is also the memory of something lost. In the Antique world, the spiritual world takes the shape of man: preserving the contours of its physical presence, i.e. the human body, is the only way to memorialize it through the passing of centuries.

Featured in edits and sample packs Aphrodisiacs: Fantasy and Reality | Uni