Best Diva by Emanuel Ungaro Alternatives & Similar Perfumes

An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.

A bright, multi faceted, spring-like floral with a citrus edge featuring sweet Turkish roses.

Bon Parfumeur open olfactive dimensions and invite you to add your own story.

Try 101 for an effervescent bouquet of pink flowers.

Perfumer: Alexandra Monet 

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

Perfumer: Bertrand Duchaufour

Visual artist: landscape artist/photographer Martin Hill.

The same way in which Martin goes to a sight and rearranges what nature left there into an installation, the perfumer rearranged some molecules and materials to put the beauty of a natural material into focus.

Also Martin aims to let his structures be absorbed back into natural chaos. Perfume evaporates into the environment in a similar fashion, beautiful but transient.

In Vanilla Shot all of the focus is on vanilla (natural, dark and balsamic). The concept of the perfume is inspired by a photo of a piece of Martin Hill's land art shot at dreamy dusk (below). The twigs used in the structure balanced over the lake are reminiscent of vanilla beans. The installation transcends two planes - liquid and ether and in the perfume vanilla spans the sweet and bitter corners of the scented universe. Vanilla Shot is not an ordinary sweet gourmand. In this perfume all nuances of natural vanilla get proper attention: balsamic, fruity, spicy, sweet and even leathery.

September 1757, Casino Venier, Venice

A powdery floral fragrance based on authentic 18th century cosmetic formulas.

A coquettish floral capturing the decadence of 18th century Venice, its rococo interiors and clandestine affairs: a powdery blend of black violet, blush rose, and chamomile nestled on an impossibly soft base of dusty iris and subtle, animalic amber. 

This is a one-of-a-kind mix of musky jasmine and balsamic black hemlock. It's a perfume formed of echoes: the summery echo of jasmine bouncing off cool hemlock, the smoky echo of sandalwood vibrating against spices, and many more.

Inspired by the mythical nectar of the gods, Ambrosia opens with the sweet, delicate notes of plumeria and mango, layered with the lush richness of peach, lychee, and coconut. The heart reveals the creamy depth of heliotrope, musk, and guava, while wafts of French orris, Mysore and Sri Lankan sandalwood, Indian tuberose and vintage Ethiopian civet evoke a divine atmosphere—capturing the essence of heavenly indulgence.

In India, flowers are sacred symbols and an essential part of daily life. “Malli Nadu” means “land of jasmine”, inspired by the paradise of perfume ingredients found in India. There’s jasmine sambac, cultivated in India since antiquity, with its radiant fruity/green sheen and animalic undertone. There’s tuberose, an opulent, powerful floral, along with davana, an aromatic plant unique to India with a profile that vibrates between apricot and herbaceous. Palmerosa oil supplies a geranium-like lift, while Indian vetiver and sandalwood deepens and softens the composition. Perfumer Ilias Ermenidis sought to translate the romance of India into this luminous scent, which he calls “a fragrance for lovers”

This monster of an “anti-perfume” is simultaneously clean and dense, the olfactory interpretation of the building material. Aptly encased in a grey concrete bottle, this eau de parfum is an astonishingly diffusive blend of sandalwood, rose and spices, with a powerful smoothness that mimics the material's satisfying surface.

“Udbaha” means “marriage” in Bangla, and this extrait references the Bangladeshi Holud Night celebration before the wedding. The festival is decorated with marigolds, roses and tuberoses. The aromas of festival sweets and treats fill the air: sugar, nuts, cardamom and saffron, mingling with oranges, pineapple and ripe mangoes. A spicy/earthy paste of turmeric and fenugreek is applied to the bride and groom’s body, enhanced by warm amber. And summoning the ceremonial application of henna, Bengal oud and oakmoss weaves a funky green trail through the proceedings. A deep and joyful perfume.