Best Montri by Parfums Dusita Alternatives & Similar Perfumes

White is a bright and lively fragrance built around the friction between hot spices and suave florals. The cinnamon, clove and cardamom opening suggests candied red hots, which makes it all the more surprising when the melange of rose de Mai and lily of the valley softly asserts itself. The undertone of tagete, with its bitter herbalness, keeps White from getting too “pretty-pretty”.

Perfumer: Tomoo Inaba

Rich and gothic Moth starts with a heavy dose of dark spices to jolt your senses before settling into a dusting of honey-sweet rose and powdery florals. Slowly, it tests its wings, taking flight on an exotic journey of nagarmotha, guaiac wood and patchouli. Beneath it all lingers a smoky undertone that serves as a constant reminder to fluttering creatures of the danger in the tantalizing flame.

Perfumer: Pierre Guéros

“ExpLOud marks the beginning of a new creative synergy: Laboratorio Olfattivo meets Pierre Guéros, perfumer at Symrise. This great traveller and connoisseur of Middle East immediately seduced us with his sensitivity, his human curiosity and his ability to establish an empathic contact with other cultures. Without hesitation, we entrusted him the mission of giving body to “our vision” of Oud. ExpLOud was born, as an aromatic explosion based on the most precious and luminous of Ouds, with floral notes to lift and twist the characteristic scent of this unique raw material which has already experienced numerous interpretations on the market”.

Roberto Drago

A pile-up of contrasts: cinnamon along with tropical florals frangipani and ylang ylang, against the earthy bitterness of artichoke and leather. This almost-gingerbread, almost-cement perfume confuses the senses with its animal/vegetable/mineral mystery.

In Greek mythology, the Lethe is the River of Forgetfulness in the underworld of Hades. In this shadowed realm, the crimson river coils like a ribbon through clouds of dark smoke. To ford the Lethe is to overcome the thunder and silence of solitude, reclaiming your name that burns like an eternal fire. Beyond Lethe starts this fire with the warm spice of nutmeg, softened by the herbal depth of mugwort and sage, creating a mysterious and contemplative beginning. Geranium and thyme unfold with a subtle aromatic clarity, before patchouli, incense and cedarwood deepen the composition, leaving a dark, meditative trail that feels ancient and enduring.

Perfumer: Ugo Charron

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

A wet and moody rose unfurls its dark petals, releasing the ancient aphrodisiac of saffron, along with bitter/fresh cassis. Javanol, an aromachemical summoning a rose-inflected sandalwood, creates the powerful sillage. Natural sandalwood and a warm tobacco ground the fragrance, adding depth and richness. Kashmir Fusion rounds out the velvety effect with its woody amber-musk.

Spiritually, four symbolizes the wholeness of the universe, four elements, four seasons, four cardinal points, connecting us all. Kajal IV spirits us to the wilderness of the African savannah, drawing a straight line between the dawn of humans to our ever-expanding world. The undulating golden panorama caressed by sultry heat is expressed by date-sweetened leather, studded with cardamom and brushed with rum. Vanilla and musk softens and beckons.

Perfumer: Kevin Mathys

An involving fragrance inspired by a cherished love poem — Shakespeare’s Sonnet 116. This sublime ode to the enduring nature of devotion and emotional connection is interpreted here as a sueded blur of amaretto and patchouli. Orris and labdanum further deepen the union of souls.

SONNET 116
Let me not to the marriage of true minds
Admit impediments; love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no, it is an ever-fixèd mark
That looks on tempests and is never shaken;
It is the star to every wand’ring bark
Whose worth’s unknown, although his height be taken.
Love’s not time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come.
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom:
If this be error and upon me proved,
I never writ, nor no man ever loved.

“Every man is a divinity in disguise, a god playing the fool.”

Ralph Waldo Emerson

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Le Mat explodes with sweet earth, heaven-sent patchouli anchoring a sensual chypré homage of rosa centifolia from Grasse, the strange complexities of immortelle, cloves, black pepper and Egyptian geranium.  A talisman of balsamic blessed absolution that will boldly defend mind and body.

A perfume of divination and tarotology. Le Mat, the Fool, Jester and Journeyman, also a symbol of chance, enigma and propulsion, end and beginning. It’s a card of 0 and XXII, a powerful icon of the Major Arcana, cards of symbols and numbers that portend future and fate.  We must turn over cards and accept fate, walk forward into new futures, lives and loves. We may not have all the tools for survival, but we have hope and defiance.