Best Blasted Heath by Penhaligon's Alternatives & Similar Perfumes

To commemorate a decade of Fathom V, Beaufort has produced a limited edition ‘Directors Cut’ extrait version of the scent: the ‘big green beast’ retooled in an ultra-strong variant at a 150% higher oil inclusion.

This ‘extended’ version brings to life the more muted aspects of the original, heightening the spices and turning the flower shop plant stems aspect into a fallen forest of green. Incredibly powerful and extremely long-lasting. Each all-black bottle is individually numbered, with the edition running to only 1000 pieces worldwide. Each box contains a hand-signed note of authenticity.

Beaufort’s latest fragrance, the confounding and aquatic leaning Fathom V, broadly takes it’s cues from Shakespeare. Throughout The Tempest, the writer conjures vivid images of violent weather, shipwrecks and magical islands but the name Fathom V itself stems from a phrase gleaned from ‘Ariel’s Song’ within the play:

“Full fathom five thy father lies; 
Of his bones are coral made; 
Those are pearls that were his eyes: 
Nothing of him that doth fade, 
But doth suffer a sea-change 
Into something rich and strange.”

The idea of this ’sea-change’ and the constant tidal flux of the sea is properly explored in Fathom V with the overdosed use of contrasting materials: salt and earth, fragrant herbs and mosses, pleasant floral notes and intense dark spices encompassing and outlining the push and pull of the oceanic torrents. 

Grooming Guru on Fathom V:

"Fathom V’s cleverness lies in its ability to take the concept of an aquatic fragrance and turn it on its head. Instead of following the bright and breezy, surf’s up approach that so many marine scents take, it plots an entirely different course, taking the wearer on a dark, foggy, Gothic adventure that conjures up images of dark, 17th century sea ports full of smugglers, ships with moss-covered hulls and illegally obtained barrels of spice."

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Candy Perfume Boy on Fathom V:

"How Does it Smell? Like gunpowder, lush vegetation, murky waters and the barnacle-covered hulls of pirate ships."

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A marine poem composed wave after wave…

Entre ciel et Mer (“Between sky and sea”) tells a story of Etesian winds, azure skies and flying over seascapes at top speed…

Icy, soaring and powerful, the first whiff feels as though it had been sculpted out of the Meltem – the north wind that blows over the Aegean Sea, with notes of crumpled, water-splashed leaves and the fruity-aromatic nuances of a lavender, pear and white thyme accord.

The scent’s convincing seawater effect is achieved through a molecular distillation of algae from the Pacific, with iodic and animalic notes of white lichen and ambergris.

The dry, almost mineral facets are balanced out with cedar, moss and sandalwood from New Caledonia.

A strikingly good interpretation of the marine theme.

A harmonious blend of lily-of-the-valley and orange blossom meets a refreshing hint of sea salt and bright bergamot. Creamy lactonic nuances unfold, enhanced by a soft musk and earthy vetiver base for an exquisite diffusion.

Evoking the traditional smoking of tea leaves in ancient China, Indigo Smoke is an aromatic landscape of narrow serpentine rivers, blue mountains and incense-filled temples condensed into a complex formula of black tea, woody notes and incense. Rich, sophisticated and long-lasting. With notes of lapsang souchong tea, mandarin orange, apricot, guaiac wood, incense and pine tar.

With a cap inspired by the candy floss pink of salt flats in the Carmargue and Puerto Rico, Beso de Sal summons mineral crispness with a go-with-the-flow blend of citrus and woods. Marine notes are the connective tissue between lemon, tangerine and savory/minty shiso leaf. Sage heightens the aromatics, while peppery cedarwood calls to mind sun-bleached driftwood.

Perfumer: Alberto Morillas

Balmy sunlight trips across foamy turquoise waves, sending rippling haloes onto the coral below. On the lagoon floor, anemone and seaweed sway in unison, limbs pumping to the rhythm of the current. Hovering among the coral branches, a group of seahorses gazes shyly on. The pulsating beat calls to them and two pair off, their tails entwined in a delicate waltz. Soon their passion is spent, but the memory of the dance lives on. For the pouch of the male seahorse tenderly cradles a precious clutch of eggs.

Zoologist Seahorse invites you to wade through a vibrant coral garden. This unisex scent turns expectation on its head. With such surprising couplets as tuberose and seaweed, sage and neroli, and fennel and vetiver, this delightful melody will sweep you away on a wave of joy and abandon.

Perfumer: Julien Rasquinet

Balmy sunlight trips across foamy turquoise waves, sending rippling haloes onto the coral below. On the lagoon floor, anemone and seaweed sway in unison, limbs pumping to the rhythm of the current. Hovering among the coral branches, a group of seahorses gazes shyly on. The pulsating beat calls to them and two pair off, their tails entwined in a delicate waltz. Soon their passion is spent, but the memory of the dance lives on. For the pouch of the male seahorse tenderly cradles a precious clutch of eggs.

Zoologist Seahorse invites you to wade through a vibrant coral garden. This unisex scent turns expectation on its head. With such surprising couplets as tuberose and seaweed, sage and neroli, and fennel and vetiver, this delightful melody will sweep you away on a wave of joy and abandon.

Perfumer: Julien Rasquinet

Versi is an olfactory study in three chapters. Versi explores and enjoys the wonderful correspondences between Perfume and Poetry. The third and last of the three studies is Albatros Eau de Parfum inspired by the poem of the same name by Charles Baudelaire (1821-1867). The poem was published in the collection Les Fleurs du mal. It is indeed the second poem of the collection (first edition: 1857). It is found in the first of the books six sections, which has the title: Spleen et Idéal.

Perfumer: Anne Sophie Baeghel

Concept & Creative Design: Stefania Squeglia

Macabre fantasy of decadent shadows and drama, unfolding from a fresh salty breeze to the deep dark underwater with blurry black tones, exuberant flora and a binding touch of wood.

Lids for Dead Air are made by hand from imperfectly beautiful charcoal encapsulated in epoxy resin resulting in unique shapes and shades, each is one of a kind — a true masterpiece.

Master perfumer
Mark Buxton