Perfumes Similar to Diptyque Fleur de Peau

Comme des Garcons 2 is a landmark perfume in the CdG range, and a revered cult classic. Built around invisible incense, the suggestion of ink, and the gentle euphoria of tea, CdG2 is bright and clear, but with an unexpected tenderness. Incredibly diffusive, this EdP retains its structure and presence while also hanging in the air with a barely-there shimmer.

There’s a tantalising friction in the smell of iris root. It’s austere, but tender. It can be powdery, but it also suggests leather. Depending on the context, it can read as feminine or masculine. Iris Ardent resolves this fabled material’s dissonance in a compelling eau de parfum that balances all of iris’ contradictions. The opening spikes of cypress and vetiver provide the scaffolding for cushiony amber and powdery iris. Juniper’s bright twang illuminates the darkness of incense and moss. Intellectual, but accessible.

The Flower of the Rising Sun!

The blooms of osmanthus, also known as sweet olive, exude sweet, fruity, leathery notes. In its creation bearing the blossom’s name, Molinard presents a surprising twist, blending the intoxicating floral notes of jasmine and tuberose with an irresistibly velvety duet of iris powder and apricot.

A sensuously carnal creation brimming with insouciance and freedom!

Perfumer: Luca Maffei

A caressing sandalwood perfume adorned with tonka beans dust, earthy angelica root and a fluffy orris tail.

In support of the Leaping Bunny and LAV organizations working to eliminate animal cruelty in the beauty products production.

Please note, there are several lid designs and you will get a surprise creature which might look different from the one in the photo.

The Sniff on Daymon:

“A cosy sense of safety and comfort is imparted from the base of the fragrance, from the sandalwood and tonka bean elements, and the scent lowers to a purr on the skin after a couple of hours.” Read the full review.

September 1757, Casino Venier, Venice

A powdery floral fragrance based on authentic 18th century cosmetic formulas.

A coquettish floral capturing the decadence of 18th century Venice, its rococo interiors and clandestine affairs: a powdery blend of black violet, blush rose, and chamomile nestled on an impossibly soft base of dusty iris and subtle, animalic amber. 

A bright, multi faceted, spring-like floral with a citrus edge featuring sweet Turkish roses.

Bon Parfumeur open olfactive dimensions and invite you to add your own story.

Try 101 for an effervescent bouquet of pink flowers.

Perfumer: Alexandra Monet 

The name means “sinful loves”, but there’s no sin in loving a perfume as irresistible as Amori Peccatori. This parfum deposits a quick kiss of fresh grapefruit and pink pepper before getting straight to the point: a plush pillow of orris, tonka bean and vanilla. The base of patchouli, amber and animalic musks lets people know you mean business.

Perfumer: Maud Chabanis

The floriental baroquesque parfum St. Paul's embodies an adoration and admiration to the spectacular era of Baroque. This style in architecture, music, art, sculpture demonstrates exalted movements, clear details, intense light and dark shadows, emotional exuberance, richness, extravaganza, which distinct baroque from other style. 

The English baroque represents iconic St. Paul's Cathedral, which dome has long dominated the London skyline. 

The perfume opens with the precious orange flower and jasmine absolutes with a hint of dried and juicy fruits, contrasting with the darker woody and balsamic base. 

This deep and dark aquatic perfume takes you from the salty warmth of beach pebbles straight into the whispering waves, and eventually down to the inky fathoms inhabited by giant squids. Feel the caress of tentacles of incense — initially menacing, ultimately comforting.