Best Les Parfums Mythiques - Extravagance d'Amarige by Givenchy Alternatives & Similar Perfumes

Gothic balsams: smoke of the ritual fires, quiet splashes of jasmine, moist earth, frankincense, deep woods. ​

Starring

(these fragrant materials reanacted the Dark Side of the Goddess  story):

Myrtle e.o.
Bergamot e.o.
Juniper berry CO2 extract
Frankincense e.o.
Frankincense abs
Benzoin abs
Patchouli e.o.
Cedarwood Atlas e.o.
Vetiver e.o.
Myrrh e.o.
Cassia abs
African wormwood e.o.
Nutmeg CO2 extract
Ylang-ylang e.o.
Jasmine sambac abs
Jasmine auriculatum abs
Castoreum tincture
Cinnamon e.o.
Tagetes abs

Important notice:

Anna Zworykina’s blends are olfactive smellscapes (but neither aromatherapy, nor ‘spray-and-go’ perfumes). Her blends are sensory experiences, closer to works of art created in the scented plane (rather than, say, visual or audio).

Certain essential oils and absolutes that are used in her 100% natural perfumes may potentially cause allergies in some people. Please spray Anna Zworykina’s blends on fabric (on sleeves, scarves, etc.). This said, Anna Zworykina has acquired a huge fan base over many years and people interacted with her blends for quite a while now. We are not aware of any reports of any skin reactions so far.

However, Anna advises that those who are prone to allergic reactions, pregnant and nursing women, as well as people with chronic illnesses to be extra careful. Before trying natural blends, study the list of ingredients and consult with a doctor if you are not sure or a had a history of allergies. If you do decide to put these blends on your skin (unable to resist the temptation) always test the blend on the inside part of your elbow first and wait.

Do not spray these blends liberally as a cloud in the way you would spray a conventional perfume. Anna’s smellscapes need to be… carefully applied and experienced. Be mindful that some oils can also make your skin hyper-sensitive to UV.

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

Its name gives the clue. Orange tree in Spanish Arabic. There you are, standing on a Moroccan roof. An exquisite coolness wafts up, chasing the clinging heat of the day. The curtains move lazily in the breeze. Shadows of orange trees stretch in the setting sun.

A mandala, Sanskrit for "circle," is a sacred geometric symbol representing the universe, wholeness and the self in Buddhism. This luminous eau de parfum opens the window to your inner garden, redolent with peachy osmanthus, crushed leaves and the apple-and-hay joy of marigold. Green mango draws you outward, and the creamy-salty notes of sun-kissed skin pulls you back into yourself. Abundant and hopeful.

“Udbaha” means “marriage” in Bangla, and this extrait references the Bangladeshi Holud Night celebration before the wedding. The festival is decorated with marigolds, roses and tuberoses. The aromas of festival sweets and treats fill the air: sugar, nuts, cardamom and saffron, mingling with oranges, pineapple and ripe mangoes. A spicy/earthy paste of turmeric and fenugreek is applied to the bride and groom’s body, enhanced by warm amber. And summoning the ceremonial application of henna, Bengal oud and oakmoss weaves a funky green trail through the proceedings. A deep and joyful perfume.

White is a bright and lively fragrance built around the friction between hot spices and suave florals. The cinnamon, clove and cardamom opening suggests candied red hots, which makes it all the more surprising when the melange of rose de Mai and lily of the valley softly asserts itself. The undertone of tagete, with its bitter herbalness, keeps White from getting too “pretty-pretty”.

The Mediterranean freshness of the essence, whose citrus notes are accompanied by the sensuality of damask rose, sublimating in sinuous oriental echoes, is inspired by the colour that has made the frescoes of Pompeian domes famous and unmistakable all over the world.

The pigment obtained from the mineral cinnabar, Rossopompeiano, emblem of a part of the history the perfumer Agatho’s city, becomes a perfume.

Purple line

Perfumer: Fabrice Pellegrin

A powdery floral perfume in which jasmine and orange blossom become an icing sugar explosion and then turn into a lush floral shower again with the help of fresh roses.

An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.