Best Cerruti by Cerruti Alternatives & Similar Perfumes

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

I was inspired while visiting Kew Gardens in London in May. Every May there are hundreds of blooming magnolia trees in different sorts, sizes, scents and colours. Usually it is a very rainy season and my inspiration was to create a scent of the water and rain on magnolia trees.  

The symbol of this modern perfume is an American modern dance pioneer Ruth St. Denis. She is not only a very talented performer, but also very feminine. 

Divine Dancer is an ethereal, watercoloured, light, fresh, feminine floral perfume. It is modern and vivacious fruity floral scent .

The Divine Dancer perfume is dedicated to one of the first American modern dance and ballet performers Ruth St. Denis.

Her vibrant and spirited art of dance, influenced by the East and South Asia, her divine body move and incredible costumes made Ruth St. Denis a worldwide well known star. Her body projects as Temple of femininity. 

When the dancer emerged from the darkness of the stage, her presence was immediately captivating, the air suddenly fragrant with her appearance. Adorned in jewels from head to toe, radiant in a special gold sari, her hair crowned in jasmine, she is an embodiment of divine feminine, mirroring the images of goddesses of Lakshmi and Saraswati but with the talented Ruth St. Denis touch of modern dance and ballet movement.

Inspired by the mythical nectar of the gods, Ambrosia opens with the sweet, delicate notes of plumeria and mango, layered with the lush richness of peach, lychee, and coconut. The heart reveals the creamy depth of heliotrope, musk, and guava, while wafts of French orris, Mysore and Sri Lankan sandalwood, Indian tuberose and vintage Ethiopian civet evoke a divine atmosphere—capturing the essence of heavenly indulgence.

September 1757, Casino Venier, Venice

A powdery floral fragrance based on authentic 18th century cosmetic formulas.

A coquettish floral capturing the decadence of 18th century Venice, its rococo interiors and clandestine affairs: a powdery blend of black violet, blush rose, and chamomile nestled on an impossibly soft base of dusty iris and subtle, animalic amber. 

Not just a fine addition to luxury white chocolate chip cookies, macadamia is also an intriguing perfume material. Creamy, buttery and velvety, it’s the starting point for this unusual fruity floral. The floral is mimosa, a cute li’l flower that looks innocent, but plays dirty. Don’t let those fluffy yellow pom-poms fool you — mimosa’s got a raunchy side thanks to its dusty niff of overripe honey. Orris doubletracks mimosa’s powderiness, while peach twins mimosa’s earthy sweetness. Mellow sandalwood steers macadamia from a nut to wood. Macadamia? That’s Ms Macadamia to you.

This fragrance evokes the bittersweet beauty of love lost and longed for. The complex sweetness of lychee and davana lead into the plush pleasures of rose oil, oud, leather and musk, sharpened with incense. The poetry of memories.

Perfumer: Mark Buxton

An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.

The name Alyazia is associated with a rare and delicate gazelle, symbolising grace, elegance and natural beauty. With its traditional Bedouin roots, the name has a strong connection to the heritage of the Arabian Gulf. The fragrance opens with plush, tender violet, illuminated by a solar heart of wild strawberry and orange blossom. The cushioned base of iris, vanilla, tonka bean and sandalwood extends the “ahhhhhhh” of this comforting scent.

Olfactory opulance conjures the Palace of Versailles in its heyday when Louis XIV and his Court would amble the Grand Orangery to delight in the flowering orange trees warmed by bonfires. This is a bright orange blossom with a warm, woody background, with notes of orange blossom absolute, pomegranate, honey and firewood smoke.

The Mediterranean freshness of the essence, whose citrus notes are accompanied by the sensuality of damask rose, sublimating in sinuous oriental echoes, is inspired by the colour that has made the frescoes of Pompeian domes famous and unmistakable all over the world.

The pigment obtained from the mineral cinnabar, Rossopompeiano, emblem of a part of the history the perfumer Agatho’s city, becomes a perfume.