Best Chloé Chloé (Parfums Chloé) by Chloe Alternatives & Similar Perfumes

Inspired by the mythical nectar of the gods, Ambrosia opens with the sweet, delicate notes of plumeria and mango, layered with the lush richness of peach, lychee, and coconut. The heart reveals the creamy depth of heliotrope, musk, and guava, while wafts of French orris, Mysore and Sri Lankan sandalwood, Indian tuberose and vintage Ethiopian civet evoke a divine atmosphere—capturing the essence of heavenly indulgence.

An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.

With a dizzying effect on the senses, tuberose exudes opulence and olfactory that might only a master perfumer can tame. Bursting with sunshine, this white flower from Grasse unleases a soft, voluptuous perfume. A honeyed top note gradually develops over a base sandalwood and white musk.

This original interpretation of the flower ushers in a world of prestige, with a hint of oriental mystery. A fantasy for the sensory imagination.

The name means “immortal saints”, and this eau de parfum is a timeless white floral that conjures sunshine and joy. Blood orange and Champagne fizz out of the top, swirling around lavish tuberose and heady jasmine grandiflorum. The holy trinity of Cashmeran, ISO E Super and ambroxan creates a base that clings to skin, fabric and memory. 

Perfumer: Maud Chabanis

A rampage through a fantasy meadow. Lily-of-the-valley, orange blossom and lavender are crushed underfoot as you run riot across beauty. Lilac and lemon assert themselves in the carnage. Tonka bean and white musk ensures that this extrait strength perfume stays and plays.

This fragrance is a prism refracting light into a splash of colors. A beam of ivy, lilac and lily of the valley illuminates a sandalwood and white musk milky way.

September 1757, Casino Venier, Venice

A powdery floral fragrance based on authentic 18th century cosmetic formulas.

A coquettish floral capturing the decadence of 18th century Venice, its rococo interiors and clandestine affairs: a powdery blend of black violet, blush rose, and chamomile nestled on an impossibly soft base of dusty iris and subtle, animalic amber. 

This “divine flower” is a luminous, untamed floral that captures the serenity of nature in motion. It starts bright and light: lemongrass and passion fruit, opening up to peony and lily of the valley. Watery, ethereal cyclamen drenches the richness of jasmine, ylang-ylang and narcissus like dew over a meadow. The drydown is green, a mingling of eucalyptus and sage with peppermint, juniper and pine, grounded by 
Mysore sandalwood and a hint of vanilla bourbon.