Best Coriandre by Jean Couturier Alternatives & Similar Perfumes

An iconic classic in its own rite, Quelques Fleurs is a true ingenious scent of its time. The French perfumer, Robert Bienaimé, unveiled Quelques Fleurs the first true multi-floral blend ever created, in 1912.

Since then, his perfectly-balanced, refined bouquet has become modern perfumery’s peerless criterion for pure, meticulously-crafted, multi-floral accords. Prior to his bold invention, floral fragrances had been mainly singular flowers, or florals combined with various nuances of herbs and spices. Bienaimé’s singular triumph is remarkable for its secret, mythical formula. Upwards of 15,000 exemplary flowers and 250 prestigious raw materials are diligently-curated in the creation of a single ounce of perfume.

September 1757, Casino Venier, Venice

A powdery floral fragrance based on authentic 18th century cosmetic formulas.

A coquettish floral capturing the decadence of 18th century Venice, its rococo interiors and clandestine affairs: a powdery blend of black violet, blush rose, and chamomile nestled on an impossibly soft base of dusty iris and subtle, animalic amber. 

Named after the rugged area of coastline on the most North Westerly tip of Britain, Cape Wrath pulls inspiration from this wild, treacherous seascape. The remote landmark - named after the old Norse word for ‘turning point’- has for centuries been used by sailors to safely navigate the coast of Britain, yet its treacherous waters have claimed countless vessels.

No. 89 has been an icon among the Floris collection for over 60 years. First crafted in 1951, No. 89 takes its name from the number of their flagship shop on Jermyn Street.

Ian Fleming who was a customer of Floris mentions No. 89 in his James Bond universe.

No. 89 is a classic and timeless mix of fresh citruses, sparkly spices and aromatic herbs resting on sandalwood and oakmoss. There is an adventurous romantic twist in the formula though: a drop of rose.

No. 89 could be a fragrance for the quintessential English gentleman.

Perfumer: Bertrand Duchaufour

Visual artist: landscape artist/photographer Martin Hill.

The same way in which Martin goes to a sight and rearranges what nature left there into an installation, the perfumer rearranged some molecules and materials to put the beauty of a natural material into focus.

Also Martin aims to let his structures be absorbed back into natural chaos. Perfume evaporates into the environment in a similar fashion, beautiful but transient.

In Vanilla Shot all of the focus is on vanilla (natural, dark and balsamic). The concept of the perfume is inspired by a photo of a piece of Martin Hill's land art shot at dreamy dusk (below). The twigs used in the structure balanced over the lake are reminiscent of vanilla beans. The installation transcends two planes - liquid and ether and in the perfume vanilla spans the sweet and bitter corners of the scented universe. Vanilla Shot is not an ordinary sweet gourmand. In this perfume all nuances of natural vanilla get proper attention: balsamic, fruity, spicy, sweet and even leathery.

Comme des Garcons 2 is a landmark perfume in the CdG range, and a revered cult classic. Built around invisible incense, the suggestion of ink, and the gentle euphoria of tea, CdG2 is bright and clear, but with an unexpected tenderness. Incredibly diffusive, this EdP retains its structure and presence while also hanging in the air with a barely-there shimmer.

Orange and geranium do a slinky sleight-of-hand creating a phantom pineapple effect: tart, fruity, somewhat metallic. The sheer crispness is assertive and long-lasting, gradually softened and warmed by amber and woody patchouli.

Olfactory opulance conjures the Palace of Versailles in its heyday when Louis XIV and his Court would amble the Grand Orangery to delight in the flowering orange trees warmed by bonfires. This is a bright orange blossom with a warm, woody background, with notes of orange blossom absolute, pomegranate, honey and firewood smoke.

Matilde Bonaparte, niece of Napoleon I, was known for her breasts (“le plus beau décolleté”) and her talent as a painter. She also hosted a celebrated 19th-century Parisian salon attended by the greatest artists and writers of her time. This namesake perfume is an olfactory salon of provocative white florals (ylang-ylang, narcissus, jasmine) given tropical succulence with passion fruit and papaya. Mathilde’s heady brightness is softened by iris and sandalwood.