Best Myths Man by Amouage Alternatives & Similar Perfumes

Originally created at the Jermyn Street shop by Mr John Floris in the early 1800s. Devoted wearers of the fragrance have included Florence Nightingale, and Lord Admiral Nelson is reported to have bought Floris White Rose for his mistress, Lady Hamilton.

White Rose is a classic take on a classic theme. This perfume is quite stately in its introvert elegance. Carnations meet a bouquet of other flowers and in the powdery mist of orris it's not quite possible to tell the fresh roses from spicy carnations.

In 1912, Houbigant's perfumer Robert Bienaimé picked up the ball from Paul Parquet (who earlier invented the whole fougere category while working for Houbigant at the end of the 18th century) and introduced Quelques Fleurs, one of Houbigant’s all-time great fragrances and the first multi-floral bouquet ever created.

The current owners of Houbigant take the heritage and history of the house very seriously and try to adapt the famous formulas from the 18th and 19th centuries to the 21st century's tastes and technologies while keeping the character and old-school flair as close as possible to the originals.

You might have read about Quelques Fleurs in books on perfume and the guides on the greatest perfumes of all time.

The current reincarnation is an adaptation of the original formula to modern times taste and it benefits from modern advances in perfume making.

Meet the 21st century Quelques Fleurs, a gorgeous romantic floral with a big history and an infinite number of floral facets.

Perfumer: Lucien Ferrero

«From every trip, I have always brought back an olfactory memory of the places visited. From a trip to the Antilles, I can recall the memory of their olfactory power: on the slopes of the volcanoes grow the roots of Vetiver, with its virile and woody notes. Here the mornings shine with the freshness of citrus fruits and, little by little, the air vibrates with noble and precious spicy scents. It was from these first memories that I built Vetyverso: a fragrance with a decisive and intriguing trail».

The atmosphere of a luxuriant garden, where the notes of Carnation, Rose, Geranium, Jasmin and aromatic spices blend into a spicy-floral accord that gives this fragrance its distinctive personality.

Seminalis is our first stimulus in a fragrance bottle.
An aromatic aldehyde which helps sperm to locate the ovum, biological proof of olfactive attraction.
Life initiated by smell.

You will always want more of this fragrance. The fleeting animality of cumin merges with the warm and powerful cinnamon, and the intense syrupy trail of rum reveals itself to be a fleeting pleasure.

The spicy and generous matriarch, vanilla, in search of vital euphoria, duplicates itself to the point of paroxysm. In its insatiable quest, it drags davana, whose fruity aromatic bipolarity is completed by the warm tones of cistus. Despite all this, it is not enough, the feeling of unfulfillment persists, like the woody ardor of chestnut and the biting character of vetiver. There is still desire, a desire conveyed through the vibrations of amber woods and the technology of Vinyl Gaiacol.

Perfumer: MATHILDE BIJAOUI

A collaboration with Miguel Matos.

Clean, abstract and intriguing. Is it the smell of the new velvet seats in a dark cinema? Or the conditioned cool air? Or the fragrant echoes of trendy perfumes floating in between the spectators?

Cinematic is put together from an overdose of clean white musk, crisp hazy cashmeran, dry savory spices and a few drops of bitter carnation essence.

This monster of an “anti-perfume” is simultaneously clean and dense, the olfactory interpretation of the building material. Aptly encased in a grey concrete bottle, this eau de parfum is an astonishingly diffusive blend of sandalwood, rose and spices, with a powerful smoothness that mimics the material's satisfying surface.

Created by Master Perfumer Paul Parquet in 1882, Fougère Royale completely revolutionized the world of perfumes and established modern perfumery as it exists today. As well as creating an entirely new fragrance family, Parquet had succeeded in extracting isolated, synthetic molecules from natural, raw materials. In the dedicated pursuit to expand olfactory palettes with novel, new aromas, he’d derived coumarin from the tonka bean in a worldwide premiere. In its mission to authentically replicate the original, regal masterpiece from centuries past, the reengineered formula cultivates refined, prestigious raw materials of the highest quality and provenance. This masterfully revamped Fougère Royale retains its elegant, noble, refined pulse and its pleasant, pastoral beauty.

The perfectly-blended perfume is redolent of green and fragrant foliage with densely shaded woodlands. Sweet green grasses suggest the freshly-released essences of a crushed and dewy verdure, with an intense hint of newly-mown hay.

Fougère Royale’s nuanced scent composition opens with a vibrant, sparkling cocktail of bergamot, lavender and Mediterranean herbs. The heart follows, with floral-spicy Rondeletia accord, rare in most perfumes. Opening into rich geranium and warm spices. A floral intermezzo showcases rare rose essences and absolutes, spiked by pepper, cinnamon and carnation. Finally, a grand finale of earthy, ambery and woody harmonies, where moss notes join a sensual patchouli enriched by warm coumarinic undertones of tonka beans and clary sage absolute.

Perfumer: Jean-Claude Ellena

«On a pleasant autumn evening, in the golden light, the cold suddenly swept over me. Winter would be upon us at dawn. Opening the front door, I turned to look one last time at the last stem of the tuberose flowers, a gift from a summer that had survived, thinking that in the morning I would go and pick it up to get drunk for a few days more on its smell. Since then, at a time when artificial lights respond to the night, the tuberose spreads with its soft voice a scent of jasmine, plum and spices. It is a whisper, like a breeze, that will not tire. And every night, around midnight, its voice goes out, so we can wait for the same moment the next day. Its smell is like his life, programmed. There is something in this flower of the figure of Shéhérazade that every night tells a story of escaping death. She did it so well that her story, still alive, has become a perfume.»