Best Manhattan by City Rhythm Alternatives & Similar Perfumes

An intense incense that shapeshifts between cold/smoky and warm/creamy. This dream belongs to the mythological Irish warrior poet Ossian, who inspired the Romantic literary movement across 18th century Europe. Rêve d'Ossian conjures misty midnight forests with smouldering notes of pine, frankincense and myrrh, before calling forth the benevolence of Celtic fairies with mellow tonka bean and vanillic benzoin.

Perfumer: Hugo Lambert

‘O absent presence, Stella is not here’

The fifth and final instalment of the Revenants collection draws inspiration from the Elizabethan poet Sir Philip Sidney. In his Sonnet sequence ‘Astrophel and Stella’ Sidney develops and captures the essence of a haunting… the presence of one that is always felt but never seen.

‘Now I, wit-beaten long by hardest fate,

So dull am, that I cannot look into

The ground of this fierce love and lovely hate,

Then some good body tell me how I do,

Whose presence absence, absent presence is;

Blesst in my curse, and cursed in my bliss.’

Perfumer: Dominique Moellhausen

The spirited country girl arrives in the bustle of the city, determined to change her status to “anything but innocent”. That’s Sweet Lure, bubbling with naughty possibilities. Cinnamon and lily-of-the-valley swirl in a bamboozling haze of neroli and vanilla, keeping things alluring but fun.

The story of myrrh is as old as that of perfume. Four thousand years ago the Egyptians were using it as one of the components of Kyphi, the sacred incense of their Kings.

Warm and sensual, balmy and ambery Myrrhiad is an oriental perfume revealing all the facets of the ancient resin, enhanced by the leathery, animalic nuance of black tea absolute and interlaced with a cocktail of vanilla and licorice.

‘All the soarings of my mind begin in my blood’

Rainer Maria Rilke

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A perfumed celebration of saints and superstitions, centred around a fierce fenugreek absolute note lavished with singed pyrazines, sacrificial myrrh and mournful molten honey poured over everything like amber rain.  Meadow blooms, sticky dark resins, pungent balms and ashen clouds of iris swirl like dramatic weather.

Macabre fantasy of decadent shadows and drama, unfolding from a fresh salty breeze to the deep dark underwater with blurry black tones, exuberant flora and a binding touch of wood.

Lids for Dead Air are made by hand from imperfectly beautiful charcoal encapsulated in epoxy resin resulting in unique shapes and shades, each is one of a kind — a true masterpiece.

Master perfumer
Mark Buxton

A bait-and-switch perfume that starts sharp and clean with juniper and crisp, metallic violet leaves. Then comes the gentle abyss: a faded haze of tobacco, patchouli and leather swirled with white tea and musk. The message might be lost in translation, but all meaning will be found in the fragrance.

Perfumer: Julien Rasquinet

Capturing the essence of desert myrrh warmed by the beach. With spicy cinnamon, rich cedar and sweet tangy ambroxan all clarifying and defining the sensational incense. It is a scent of contradiction with amber tones and mineral references that serve a blend that can be peaceful or invigorating. You choose.

From the heart of the Mediterranean scrub, where the air hums with resin and sun-drenched leaves, Ladano rises — a fragrance shaped by the slow pulse of Cistus ladanifer. For centuries, this golden resin has been gathered from the wool of animals, breathing its scent into fabric and skin. Here, labdanum glows rather than burns — thick, balsamic, embracing. It’s animated by tickly aromatics: licorice, celery seed, cinnamon leaf and immortelle.

An ancient ritual. The wonder of green, perfumed resin flowing from the tree. It is reminiscent of journeys along the perfume routes, of the magic of nocturnal ceremonies. Fresh, intense notes of Incense, Opoponax, Storax and Tolu.