Best Y Eau de Toilette by Yves Saint Laurent Alternatives & Similar Perfumes

Created by Master Perfumer Paul Parquet in 1882, Fougère Royale completely revolutionized the world of perfumes and established modern perfumery as it exists today. As well as creating an entirely new fragrance family, Parquet had succeeded in extracting isolated, synthetic molecules from natural, raw materials. In the dedicated pursuit to expand olfactory palettes with novel, new aromas, he’d derived coumarin from the tonka bean in a worldwide premiere. In its mission to authentically replicate the original, regal masterpiece from centuries past, the reengineered formula cultivates refined, prestigious raw materials of the highest quality and provenance. This masterfully revamped Fougère Royale retains its elegant, noble, refined pulse and its pleasant, pastoral beauty.

The perfectly-blended perfume is redolent of green and fragrant foliage with densely shaded woodlands. Sweet green grasses suggest the freshly-released essences of a crushed and dewy verdure, with an intense hint of newly-mown hay.

Fougère Royale’s nuanced scent composition opens with a vibrant, sparkling cocktail of bergamot, lavender and Mediterranean herbs. The heart follows, with floral-spicy Rondeletia accord, rare in most perfumes. Opening into rich geranium and warm spices. A floral intermezzo showcases rare rose essences and absolutes, spiked by pepper, cinnamon and carnation. Finally, a grand finale of earthy, ambery and woody harmonies, where moss notes join a sensual patchouli enriched by warm coumarinic undertones of tonka beans and clary sage absolute.

A nostalgic soap scent that’s fresh and creamy, based on the tissue thin, dissolving paper soap available in Japan. Lavender and aldehydes soften into rose, jasmine and lily-of-the-valley, conjuring vintage sudsiness.

Orange and geranium do a slinky sleight-of-hand creating a phantom pineapple effect: tart, fruity, somewhat metallic. The sheer crispness is assertive and long-lasting, gradually softened and warmed by amber and woody patchouli.

Perfumer: Frank Voelkl translated this captivating and romantic jazz piece with Jeff Buckley's interpretation in mind.

A harmonious blend of lily-of-the-valley and orange blossom meets a refreshing hint of sea salt and bright bergamot. Creamy lactonic nuances unfold, enhanced by a soft musk and earthy vetiver base for an exquisite diffusion.

In Fauno ancient fires reflect off the bronze statures of Roman deities depicting Bacchus feasting in company of fauns, satyrs and nymphs.

The perfume is a smoky echo of the Pompei mysteries lit with torches, perfumed with spicy incense and fragrant herbs.

North is one of the formulas in the North-South duo. The duality is a hint at the contrasting nature of the formulas (the interplay of hot\cool and light\dark notes). Also North is a reference to the north of Europe, Scandinavia and its olfactive context: cool coniferous woods sleeping under the snow in ozonic crisp chill and at the same time cedars radiating their resinous ambery warmth in saunas.

It’s the smell of pencil shavings, kids drawing in a quiet room while it’s snowing outside. In North Mendittorosa invite everyone to imagine that cozy hygge scenario for themselves.

Ramune is a traditional Japanese soda pop sold in a pale blue glass bottle sealed with a marble. The drink is evocative of Japanese summer festivals, carefree times illuminated by dreamy paper lanterns. This eau de parfum starts with the clear notes of lemon, aldehydes and mint, followed by gentle rose, muguet and magnolia, before drifting into musk and vanilla.

This is the smell of freshly-washed linen — rendered in neon. Powerful, elegant, womanly, RO was created as a tribute to Maysson’s sister. The name carries her initials, as well as her favorite notes in perfume — amber and vanilla, borne aloft by powdery aldehydes. A scent reflecting love and celebrations.

Perfumer: Bertrand Duchaufour

Visual artist: landscape artist/photographer Martin Hill.

The same way in which Martin goes to a sight and rearranges what nature left there into an installation, the perfumer rearranged some molecules and materials to put the beauty of a natural material into focus.

Also Martin aims to let his structures be absorbed back into natural chaos. Perfume evaporates into the environment in a similar fashion, beautiful but transient.

In Vanilla Shot all of the focus is on vanilla (natural, dark and balsamic). The concept of the perfume is inspired by a photo of a piece of Martin Hill's land art shot at dreamy dusk (below). The twigs used in the structure balanced over the lake are reminiscent of vanilla beans. The installation transcends two planes - liquid and ether and in the perfume vanilla spans the sweet and bitter corners of the scented universe. Vanilla Shot is not an ordinary sweet gourmand. In this perfume all nuances of natural vanilla get proper attention: balsamic, fruity, spicy, sweet and even leathery.