Best Peau Santal by Miller Harris Alternatives & Similar Perfumes

The floriental baroquesque parfum St. Paul's embodies an adoration and admiration to the spectacular era of Baroque. This style in architecture, music, art, sculpture demonstrates exalted movements, clear details, intense light and dark shadows, emotional exuberance, richness, extravaganza, which distinct baroque from other style. 

The English baroque represents iconic St. Paul's Cathedral, which dome has long dominated the London skyline. 

The perfume opens with the precious orange flower and jasmine absolutes with a hint of dried and juicy fruits, contrasting with the darker woody and balsamic base. 

Ta´if is an intoxicating and audacious rose scent from the town of Ta´if which sits above the shores of the Red sea and overlooks the Arabian desert. This perfume dislikes daylight preferring dusk, the night, parties, promises and assignations. It is an opulent composition which makes a bold entrance and is confident enough to sweep everyone else to one side – a real belle of the ball.

This extrait is named for the archipelagic country in the South Pacific Ocean, source of the sandalwood in the base. Vanuatu is a lively, confident blend of spices (black pepper, cardamom, cumin) dappled across characterful woody materials (sandalwood, patchouli, cedar and papyrus). Putting meat on the bones is fig milk, with violet leaves adding sharp sparkle. A fragrance for unexpected adventures.

Parfum 1 is where Fugazzi began, inspired by founder Bram Niessink’s trip to Egypt and the discovery of ancient perfume oils. Parfum 1 is a bold blend of bright and dark fruits, made mysterious by patchouli and cedarwood. The fresh top notes of citrus and blackcurrant are insinuating, gracefully riding a woody wave of sandalwood and musk. The effect is leathery, with a faint kiss of apple pie.

Year: 1985
Place: London
Leather and gin and glistening skin, crimson nights and black box peepholes, a bath of glowing amber, a key on a chain, a glimpse in the saffron haze, silhouette reflections in infinite mirrors, eyes that can’t look away.

Narcotic tuberose, a favourite of Marie Antoinette, amped to heady heights here by ylang-ylang with added saffron intrigue. This voluptuous floral is bold but not shrill, thanks to the grounding of suede, papyrus, patchouli and cashmere wood.

Perfumer: Serge de Oliveira

The Nero collection

“Sacreste comes out from the study of another perfume that I have been trying to realize for eight years. Two years ago I received a trial fragrance by Luca Maffei which was characterized by an incense note I really like. We have been working on that note, finishing it and making it sensual until we arrived at the final project, that I completely love.”

Roberto Drago, LO's owner

Year: 1979
Place: Paris
Champagne in crystal flutes, jasmine vines and iris roots, limbs tangled and lipstick smudged, a poet and a muse, an ocean of violets in bloom. “Love is reciprocal torture,” breathed through a cloud of powder.

Nebula Viridis is Latin for “fresh mist”, and this extrait billows with hazy radiance. A luminous opening of Sicilian lemon and Calabrian bergamot cuts through the air like sunlight, sharpened by saffron and the rich depth of labdanum. The effect is crisp, golden. Warm woods glow in the heart, including guaiacwood, patchouli and Caledonian sandalwood, before vanillic benzoin and amber assert their sensuality.

The heightened version of Angel Dust, Fugazzi’s epic symphony of cashmeran and amber. Here, an overdose of cashmeran and amber gives the feeling of swimming through velvet. At 50% perfume oil, Angel Dust extrait is a muffled cry of ecstasy.