Best Soleil Neige by Tom Ford Alternatives & Similar Perfumes

Olfactory opulance conjures the Palace of Versailles in its heyday when Louis XIV and his Court would amble the Grand Orangery to delight in the flowering orange trees warmed by bonfires. This is a bright orange blossom with a warm, woody background, with notes of orange blossom absolute, pomegranate, honey and firewood smoke.

A pretty honeyed floral with some ambery background. Magnolias, violets, jasmine, ylang-ylang are all in the bouquet thrown on satin blanket of white musk and Siam benzoin.

The Sniff on Latin Lover by Carner:

"The [opening] florals recede into a pretty, flowery fug in the base of the scent, still heady, still very flowery, sweet and powerful, but the notes become less discernible from one another. The warmth remains and, at times, this perfume just really smells like sunshine on naked skin. On a cold, drizzly Yorkshire day this is indeed a joyous thing!"

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Perfumer: Fabrice Pellegrin approached the song through the angle of a soft transition into a new era.

The floriental baroquesque parfum St. Paul's embodies an adoration and admiration to the spectacular era of Baroque. This style in architecture, music, art, sculpture demonstrates exalted movements, clear details, intense light and dark shadows, emotional exuberance, richness, extravaganza, which distinct baroque from other style. 

The English baroque represents iconic St. Paul's Cathedral, which dome has long dominated the London skyline. 

The perfume opens with the precious orange flower and jasmine absolutes with a hint of dried and juicy fruits, contrasting with the darker woody and balsamic base. 

This formula is a huge bergamot space heated by a resinous background.

It's a bit like a Greek island in August when the aromas of sweet citruses mix with the green balsamic smell of cypresses and incensy vibes of rockrose Everything gets lifted into the air by the heat reflected from the stony ground. You can almost hear the cicadas in tall dry grass in this perfume.

Ithaka is the first perfume in the Versi trilogy exploring the relationship between poetry and perfumery and how to appreciate it.

It's inspired by the poem Ithaka written by C. P. Cavafy, and first published in 1911.

Perfumer: Camille Chemardin

Genesis, Concept and Creative Design: Stefania Squeglia

***

Ithaka (the poem)

As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon — don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon — you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you’re seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind —
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvelous journey.
Without her you wouldn’t have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you’ll have understood by then what these Ithakas mean.

***

P. Cavafy, fromC.P. Cavafy: Collected Poems.Translated by Edmund Keeley and Philip Sherrard. Translation Copyright © 1975, 1992 by Edmund Keeley and Philip Sherrard. Reproduced with permission of Princeton University Press.
Source: C.P. Cavafy: Collected Poems (Princeton University Press, 1975)

Some of us have known it, others have yet to experience it, but we are all waiting or looking for it. It will come. True love is an eternal beginning again

A sweet fragrance with floral and balsamic notes that comforts, transports and illuminates. Its exceptional bouquet envelops us in softness and transports us to an eternal summer.

Perfumer: Serge de Oliveira

"I wanted to imagine the quintessence of floral elegance. This precious flower opens with a radiant freshness, before revealing a smooth and delicate heart. Over the hours, the note becomes comforting and enveloping, an invitation to savor each moment of calm before the world comes alive."

This fragrance summons the strength and elegance of a modern ruler.

Spicy saffron, cardamom and clove boldly herald the main event: an oud rose sexed up with musk. A hint of raspberry and caramel makes you lick your lips. Power meets seduction.

Perfumer: Mark Buxton

The never-ending war between what you “should” do and what you want to do. Where being loyal to your dreams and desires clashes with societal expectations. Well, here’s where the conflict ends. Inner War is an amber carnival of too-muchness, a stop at the candy floss stand, a ravenous kiss on the big wheel. This extrait is a billowing cloud of talcum powder and almond, suggesting delicate heliotrope. Curling like tendrils into the air is a phantom, licorice-like anise, adding freshness and subtle weirdness. Rose supplies the syrupy “mmmmm” that glues together ambroxan, vanilla and patchouli.

An aromatic cologne with a very classic feel: various fresh herbs, lavender and neroli.

Bon Parfumeur open olfactive dimensions and invite you to add your own story. Try 001 if you like colognes on the drier, more herbaceous side.

Perfumer for 001: Nathalie Koobus.