Best Violet Ends (2025) by Boy Smells Alternatives & Similar Perfumes

This extrait is named for the archipelagic country in the South Pacific Ocean, source of the sandalwood in the base. Vanuatu is a lively, confident blend of spices (black pepper, cardamom, cumin) dappled across characterful woody materials (sandalwood, patchouli, cedar and papyrus). Putting meat on the bones is fig milk, with violet leaves adding sharp sparkle. A fragrance for unexpected adventures.

This EdT plays it dark but bright. A spiky black pepper opening commands attention, before being volumised by an ebony chorus of black tea, birch tar and incense. Tree moss and violet lend a perfumed earthiness.

Perfumer Antoine Maisondieu

January 1618 A Japanese Galleon, the Pacific Ocean

Following a diplomatic mission to the West, a galleon carrying a delegation of samurai charges through dark ocean currents. Loaded with a rare and precious cargo, the ship’s hull is redolent of sweet-smelling tropical woods, heady Spanish leather, frankincense, fine black pepper and other exotic ground spices—the intoxicating spirit of a singular, extraordinary voyage of discovery.

A good perfume to visit if your are in a search for perfect true sandalwood,  smoky and a touch dirty. Arquiste carefully selected the companions for its sandal in this formula: tea and osmanthus, coffee, myrrh and stryrax and others to give it a dark, sensual depth.

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GQ US on Nanban:

"This is my signature scent. I wear it all the time. And let me tell you: I’ve never worn something that has gotten so many compliments—no sunglasses, no sneakers, no full-body rubber suit. People actually turn their heads and ask me what I'm wearing. And then they jot down the product name. Arquiste’s masterpiece introduces itself with Malabar black pepper and Persian saffron, gives way to coffee, sandalwood, myrrh, and Spanish leather, and embraces you all day with a blanket of frankincense, balsam, and cade juniper."

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Financial Times' resident perfume writer Victoria Frolova on Nanban:

"... approach coffee notes creatively. Instead of mimicking nature, a perfumer instead might fashion a blend that hints at coffee’s pleasing bitterness and heady richness. Such is Arquiste’s Nanban (£160 for 100ml EDP). The composition uses a plush backdrop of woods to frame the smoky, spicy notes of myrrh and incense, with an accent of coffee to lend the composition a dark, delicious twist. It teases with its smoky, nutty warmth, but keeps its presence mellow behind layers of sandalwood and leather."

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A jammier rendition of Juice | Balanced that explores the depths of strawberry, raspberry and rhubarb when simmered down. Steeped in vetiver, patchouli and amberwood, this blend is a deep, dense marmalade. Boozy davana flower and a touch of burnt sugar creates a rich, addictive intensity.

This is the Bold version of Juice, a powerful, room-filling rendition of its Balanced counterpart, infused with deep, dark notes that’ll make your presence known. Also try Juice | Personal and Juice | Balanced & Expressive.

The Riviera. The Mediterranean fills the horizon. You’re driving along a coastal road with the roof down, feeling free. In this extrait, lemon caviar, zesty ginger and icy cardamom puts jut in your strut, while tomato leaf, neroli and black tea summons an aromatic dance. Frankincense and cypriol offer shade in the sunshine.

Perfumer: Paul Guerlain

Konya Kolonyasi opens with a bright burst of bergamot. Crisply fruity and aromatic, it evokes old Turkish barbershops.

Then there is the juicy technicolour cherry note inspired by the orchards surrounding the city of Konya in the blessed Central Anatolia. 

In the base, black tea settles softly on the skin, recalling the endless glasses of Turkish çay (chai) shared throughout the day. 

Deep, comforting and slightly bitter.

In his Descriptio Montis Fracti sive Montis Pilati from 1555, the famous Swiss naturalist Conrad Gessner chronicles his journey into the caves of the Alps. “At night, the moon shines into the cave so brightly the light itself seems to take form, like a mist. It gathers in the ceiling and makes the limestone stalactites glitter and gleam, dripping tears of white liquid into puddles on the rock floor that never dries. Moonmilk.”

This EdP lives up to that sublime description with a dance between conflicting textures that titillates the nose. The black tea and lime opening establishes an expectation for further crispness to come. The switcheroo comes with the appearance of Mysore sandalwood, its milky incense soft like a lover’s touch on the skin. All the elements resolve in a fresh and tender leather.

Formerly known as East India the perfume is back with the new name: Vi et Armis (Latin for 'by force and arms',  the motto of the East India company)

The olfactory references in the perfume are exploring Britain’s complex relationship with other nations and its dominance of international sea trade across the centuries, this heady, narcotic scent challenges as much as it beguiles.

Using imported and exported goods of the East India Company as its key notes, this addictive fragrance recalls the words of George Bernard Shaw: “Emotional excitement reaches men through Tea, Tobacco, Opium, Whisky and religion”

Paradoxical and challenging, we imagine the roots of our island nation steeped in contradictions.

Cuirs (French for leather) is redolent with nostalgia for a bygone era of artisan ateliers, where pipesmoke filled the air fusing with the scent of freshly tanned leather.

In the heart of Cuirs you have warm noble woods: complex oud, dry cedar and creamy gaiac infused with saffron.

The drydown is a beautiful array of smoky resins and woody materials with a sweeter edge: labdanum, patchouli and tonka.

In this fantasy of the boudoir, the powdered top note evokes the sophisticated woman who dresses for seduction, and undresses for profit. She is the temptress who awaits her prey in the hotel bar, and leads her lucky victim to unimaginable delights…