Best Moon Dust by MiN New York Alternatives & Similar Perfumes

This collaboration with Dia Art Foundation and American artist Meg Webster is an earthy, layered scent. Notes of geranium and frankincense sit on top of a mushroom accord that feels plucked from the dirt. Madagascar patchouli and sandalwood envelop green organic notes.

Meg Webster is best known for her sculptures composed of salt, earth, sand, and other natural materials, powerful statements built to disintegrate. The dramatic silver pyramid packaging is a work of art in itself, referencing Webster’s sculptural vocabulary.  The mirrored surface nods to ephemeral encounters with nature, while the bracketed pictogram emblazoned on the packaging references a motif from her early works.

Perfumer : Emily Coppermann

A dazzling fusion of organic and mineral, of freshness and depth. A shimmering rainbow of greens, from green pepper, ivy and coriander, to gunpowder and vetiver. A blast of green energy.

Perfumer Jean-Christophe Hérault

Wet’n’wild, this perfume elevates the comforting smell of damp earth with the spicy sparkle of wormwood. Warm woods intertwine with smoky vetiver for a hallucinogenic blitz of green.

Organic disobedience from Crazy Nose Alessandro Gualtieri. Micodelerio is a fantasy of mushrooms in their natural environment: clustered among the wet soil and decaying leaves of the forest floor. Earthy/sweet beetroot plays against moss and a ticklish saltiness, before woody patchouli asserts itself. The strangeness resolves into a petrichor-drenched amber.

The third volume in the Revenants series takes inspiration from the works of architect Nicolas Hawksmoor (1661-1736) whose foreboding structures define London's urban landscape even today.

Hawksmoor - referred to as ‘the Devil’s architect’ - continues to provoke interest for his distinctive churches, which introduced elements of Egyptology into traditional ecclesiastical settings. These curious architectural details, and his recent reputation as a Freemason has prompted speculation that occult symbolism influenced his methods, and imbued his designs with an inherent ‘terror and magnificence’.

By contrasting darkness with invigorating complexity, perfumer Pia Long has combined a vivid olfactory impression of the man, his works and his myth. Accords of Somalian Incense, dry woods and wet stone meld with opium smoke, papyrus and kyphi, underpinned by a base of Haitian vetiver and precious resins. 

The product’s packaging bears a representation of Hawksmoor’s celebrated work – Christ Church Spitalfields in East London.

Moonlight on wet cobblestones. A bottle of white wine in the pocket of a suede coat. White flowers and kissed skin. Cherries and cigarette smoke linger on warm hair. The punks are in charge.

Cool herbs, the sweetness of anise, the warmth of a boozy flame at the bottom of a glass. Blue Flame begins in that glass. It opens bright and bitter, like lemon peel twisted between the fingers. Mint leaves and dry coriander seed steadies it. Then comes sambuca, the anise liqueur that lingers with chilly sweetness, shadowed by bitter/herbal Mugwort. Vetiver and cedarwood trace the outline of dry wood, and benzoin resin adds a low hum. Finally, white musk emerges, turning this cool customer into a warm, languid skin scent, its sweet herbs still held within.

Terram captures the Mediterranean embrace of autumn. The path winding up from the beach is silent. Sweet aromatic notes of dry soil and clifftop pines float in the air. A haze of ambery benzoin and dusty patchouli settles over musk. Warm, woody, still — this is a fragrant mood that comforts and lulls. 

Evoking the traditional smoking of tea leaves in ancient China, Indigo Smoke is an aromatic landscape of narrow serpentine rivers, blue mountains and incense-filled temples condensed into a complex formula of black tea, woody notes and incense. Rich, sophisticated and long-lasting. With notes of lapsang souchong tea, mandarin orange, apricot, guaiac wood, incense and pine tar.