Best Ottoman Empire Part II by Areej Le Doré Alternatives & Similar Perfumes

Santal takes its inspiration from a Sandalwood fragrance originally created in the 1800s which has then been given a distinctive contemporary edge.

White is a bright and lively fragrance built around the friction between hot spices and suave florals. The cinnamon, clove and cardamom opening suggests candied red hots, which makes it all the more surprising when the melange of rose de Mai and lily of the valley softly asserts itself. The undertone of tagete, with its bitter herbalness, keeps White from getting too “pretty-pretty”.

The colors of the day are melting. In the shadows, feelings take surprising shapes. The night is calling. Softness is in the air. Silent connections form. The alchemy is real. Two shadows. One.

Sombra is a dirty shadow of tough rose and oud, spiced with saffron and nutmeg. Tolu balsam bathes the composition in a twilight effect of almost-sweet tobacco and leather, for an animalic result that purrs.

In fleeting top notes Myrtle, fragile as the promises of love, encounters the preciousness of saffron, merging into an indomitable desire for eros.

The luxuriant notes of honey are exalted by the jasmine night breeze that pervades the home of the chaste lovers, among the frescoes, on a thalamus of rose petals.

The mysterious notes of incense and sweet vanilla blend with the oriental contamination of amber and labdanum that fades into the ancient aroma of agar wood, sealing the essence of Castiamanti, expression of rich Pompeii.

“Udbaha” means “marriage” in Bangla, and this extrait references the Bangladeshi Holud Night celebration before the wedding. The festival is decorated with marigolds, roses and tuberoses. The aromas of festival sweets and treats fill the air: sugar, nuts, cardamom and saffron, mingling with oranges, pineapple and ripe mangoes. A spicy/earthy paste of turmeric and fenugreek is applied to the bride and groom’s body, enhanced by warm amber. And summoning the ceremonial application of henna, Bengal oud and oakmoss weaves a funky green trail through the proceedings. A deep and joyful perfume.

A voluptuous amber built around the formidable floral trio of magnolia, peony and Bulgarian rose. Adding spice to the headiness is nutmeg and cardamom, and the lusciousness is heightened by a custardy vanilla, with a playful wink of tangerine. Tender orange blossom further encourages the decadence. Laetitia features millesimé notes: like in fine wines and liqueurs, these are the extracts obtained from the best years of production.

Named after the supposedly richest ruler who ever lived, the African king Mansa Musa, the perfume is made with rich Indian oud (with a fermented leathery nuance), sandalwood, spices and a drop of rose.

Perfumer: Tomoo Inaba

Rich and gothic Moth starts with a heavy dose of dark spices to jolt your senses before settling into a dusting of honey-sweet rose and powdery florals. Slowly, it tests its wings, taking flight on an exotic journey of nagarmotha, guaiac wood and patchouli. Beneath it all lingers a smoky undertone that serves as a constant reminder to fluttering creatures of the danger in the tantalizing flame.

This spicy aromatic favourite is your go-to anytime, anywhere fragrance. 
The smart-casual blend of sandalwood, vetiver and oakmoss gets a confident kick from the hot/cold combo of nutmeg and cardamom with peppermint.

Delirium is a voluptuous bouquet of tropical abandon: decadent gardenia, heady jasmine, honeyed champaca, ripe narcissus, creamy frangipani and delicate white lotus. Blurring the lines between reality and fantasy, every breath is an addictive journey into the blissful unknown. With Delirium, the wearer becomes the dreamer and the dream, lost in a world where anything is possible.