Best Aqva Pour Homme by Bvlgari Alternatives & Similar Perfumes

Perfumer: Frank Voelkl translated this captivating and romantic jazz piece with Jeff Buckley's interpretation in mind.

It is the energy of myth and the elegance of the garden that inspire a refined and vigorous essence.

Bergamot and juniper berries become full-bodied on a carpet of incense, fading into the persistent fascination of oriental wood.

The presence of a marble Hercules in the garden of the perfumer’s house, triumph of courage and immortality, elevates to myth the creations of Agatho and the Giardinodiercole becomes a perfume.

Sights.
It is an indomitable depth, the unknown,
a call towards all and nothing – here, there, everywhere.
The wholeness of the sea doesn’t need an explanation.

The tart sweetness of bergamot and yuzu is the pale moon rising over a landscape of aromatic lavender and silky sandalwood. The sharpness of cedarwood begins to subtly assert itself, underscored by a violet echo of orris, inviting you into a realm of serene oblivion.

The most radical revolution is the one within. Re-Evolution surprises and liberates with its sweet earthiness. Muddy patchouli, the watery muguet of Aqual and the smoky leather of Orcanox align with amber and marine notes to lead you to the deepest transformation possible: inside the ocean of yourself.

Perfumer: Cristiano Canali

Another exciting smellscape: antique Venice, with all its magical beauty to the eye and reality to the nose. In Venetian Red you have smells of damp plaster, old bricks, slow green water in the canals and swift azure tides of the lagoon. You also have ancient attics full of sea air and treasure chests forgotten there since the times of Marco Polo. You have dust which is part glory of the Venetian republic, part decomposed brocade and maps of the world circa 15^th century.

Important notice:

Anna Zworykina’s blends are olfactive smellscapes (but neither aromatherapy, nor ‘spray-and-go’ perfumes). Her blends are sensory experiences, closer to works of art created in the scented plane (rather than, say, visual or audio).

Certain essential oils and absolutes that are used in her 100% natural perfumes may potentially cause allergies in some people. Please spray Anna Zworykina’s blends on fabric (on sleeves, scarves, etc.). This said, Anna Zworykina has acquired a huge fan base over many years and people interacted with her blends for quite a while now. We are not aware of any reports of any skin reactions so far.

However, Anna advises that those who are prone to allergic reactions, pregnant and nursing women, as well as people with chronic illnesses to be extra careful. Before trying natural blends, study the list of ingredients and consult with a doctor if you are not sure or a had a history of allergies. If you do decide to put these blends on your skin (unable to resist the temptation) always test the blend on the inside part of your elbow first and wait.

Do not spray these blends liberally as a cloud in the way you would spray a conventional perfume. Anna’s smellscapes need to be… carefully applied and experienced. Be mindful that some oils can also make your skin hyper-sensitive to UV.

Campus is the 'bon vivant' moment in Molinard's historical collection, first created in 2004 it sparks adventurous pineapple and calms into luxurious tones of Provençal Lavender. It conjures an air of freedom and elegance. Beautiful geranium and woody notes from amber and sandalwood makes Campus nothing short of charm in perfume form.

A marine poem composed wave after wave…

Entre ciel et Mer (“Between sky and sea”) tells a story of Etesian winds, azure skies and flying over seascapes at top speed…

Icy, soaring and powerful, the first whiff feels as though it had been sculpted out of the Meltem – the north wind that blows over the Aegean Sea, with notes of crumpled, water-splashed leaves and the fruity-aromatic nuances of a lavender, pear and white thyme accord.

The scent’s convincing seawater effect is achieved through a molecular distillation of algae from the Pacific, with iodic and animalic notes of white lichen and ambergris.

The dry, almost mineral facets are balanced out with cedar, moss and sandalwood from New Caledonia.

A strikingly good interpretation of the marine theme.