Best Rume by Slumberhouse Alternatives & Similar Perfumes

Some perfume magic, a perfume that captured the soul of autumn, complete with foggy cold mornings (orris), dry leaves (the effect of various balsams and resins), sleepy sun (played by vanilla absolute and Indian oud) and fireplaces (gaiac).

Important notice:

Anna Zworykina’s blends are olfactive smellscapes (but neither aromatherapy, nor ‘spray-and-go’ perfumes). Her blends are sensory experiences, closer to works of art created in the scented plane (rather than, say, visual or audio).

Certain essential oils and absolutes that are used in her 100% natural perfumes may potentially cause allergies in some people. Please spray Anna Zworykina’s blends on fabric (on sleeves, scarves, etc.). This said, Anna Zworykina has acquired a huge fan base over many years and people interacted with her blends for quite a while now. We are not aware of any reports of any skin reactions so far.

However, Anna advises that those who are prone to allergic reactions, pregnant and nursing women, as well as people with chronic illnesses to be extra careful. Before trying natural blends, study the list of ingredients and consult with a doctor if you are not sure or a had a history of allergies. If you do decide to put these blends on your skin (unable to resist the temptation) always test the blend on the inside part of your elbow first and wait.

Do not spray these blends liberally as a cloud in the way you would spray a conventional perfume. Anna’s smellscapes need to be… carefully applied and experienced. Be mindful that some oils can also make your skin hyper-sensitive to UV.

A tribute to the oldest of perfume recipes: incense and resins. Gifted to queens, kings and pharaohs of ancient times, blends of frankincense, myrrh and labdanum conferred status and beauty. Honey Like continues this ritual with its hypnotic blur of muggy myrrh, rich labdanum, feral honey and aromatic incense. Be your own emperor with Honey Like.

‘All the soarings of my mind begin in my blood’

Rainer Maria Rilke

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A perfumed celebration of saints and superstitions, centred around a fierce fenugreek absolute note lavished with singed pyrazines, sacrificial myrrh and mournful molten honey poured over everything like amber rain.  Meadow blooms, sticky dark resins, pungent balms and ashen clouds of iris swirl like dramatic weather.

You’re being followed by a myrrh shadow. A shadow that traces your outline, then embellishes with enigmatic depth. This intriguing extrait de parfum flirts with myrrh’s dark charm, tickling its dusty delights with peppery cedarwood, spicy akigalawood and earthy patchouli. The zesty sparkle of bitter citrus succumbs to an enveloping cloud of benzoin and musk as the shadow lengthens, leaving behind an echo of the fascinating person everyone longs to meet again soon.

The finest gum extracts from Somaliland — frankincense, myrrh and opoponax — combine in this resinous and sophisticated scent. Berbera is a powerful woody amber suitable for layering, as is common in the Middle East, as well as a standalone manifesto. Opoponax brings nuances of leather and old wood, myrrh swirls in a cola note, and frankincense soars high and dry. A charred-around-the-edges fragrance to uplift your soul and deepen your mystique.

Inspired by a dream of a romantic encounter in a Parisian bakery. The air is filled with the mouthwatering aroma of candied fruits, vanilla-laced pastries, a hint of sweet tobacco. You’re captivated by the sight of a beautiful stranger holding a bouquet of fresh freesias. This playfully flirty mix of cream-topped fruits and florals conjures the dream all over again.

Perfumer: Bertrand Duchaufour

“On a track through an unforgiving desert, starting point and destination are indistinguishable from one another. Terra-cotta hued dunes twist and writhe, their shapes ever shifting. Only the merciless sun and aloof constellations can be trusted to point the way. Weighed down by treasures; some tempting the eyes with their glittering sheen, others enticing with exotic aromas, the camel plods towards a far off marketplace. Water is but a dream now, the taste of sweet dates a distant memory. There is nothing but an endless ocean of sand.” - Zoologist.

Perfumer: Christian Carbonnel.

This collaboration with Dia Art Foundation and American artist Meg Webster is an earthy, layered scent. Notes of geranium and frankincense sit on top of a mushroom accord that feels plucked from the dirt. Madagascar patchouli and sandalwood envelop green organic notes.

Meg Webster is best known for her sculptures composed of salt, earth, sand, and other natural materials, powerful statements built to disintegrate. The dramatic silver pyramid packaging is a work of art in itself, referencing Webster’s sculptural vocabulary.  The mirrored surface nods to ephemeral encounters with nature, while the bracketed pictogram emblazoned on the packaging references a motif from her early works.

Perfumer : Emily Coppermann

Frankincense. Bet you’re thinking dark, churchy dusty incense and smells of a dodgy pipe smoking priest’s frayed robes.

Fact is, frankincense can be fresh and fruity. Seriously.

What we do with this arcane and noble fragrance is close to a miracle. A true celebration of fun, fresh and fruit. You ‘eard. And not any creepy old clergy or a spooky gothic church in sight. Thank god.

An ancient ritual. The wonder of green, perfumed resin flowing from the tree. It is reminiscent of journeys along the perfume routes, of the magic of nocturnal ceremonies. Fresh, intense notes of Incense, Opoponax, Storax and Tolu.