PG25 Indochine
offer
Use code OFFER50FF at the checkout to get 50% off this item.
Sale items are non-returnable and non-exchangeable. This applies to both online and in-store purchases.
offer
Use code OFFER50FF at the checkout to get 50% off this item.
Sale items are non-returnable and non-exchangeable. This applies to both online and in-store purchases.
1920’s, a sepia-toned cruise down Mekong River: a kaleidoscope of ephemeral dawns shrouded in mist and glorious days of radiant sunshine. The dreamy air is humid, balmy and honeyed. 25 Indochine starts where 19 Louanges Profanes ends: in number 19 the balms are fresh and cool and number 25 explores their sweet, spicy and woody aspects.
All about this fragrance
Vibe check
This is a scent for close quarters and warm air, when the room is already carrying a little heat and the fragrance can unfold slowly on skin. It suits a composed, intimate presence rather than a loud entrance, leaving behind a resinous, peppered warmth that feels softly atmospheric.
How to wear
Best worn in mild to warm weather, where its benzoin sweetness and peppery spice can breathe without becoming heavy. Apply lightly to pulse points or one to two sprays for a restrained trail; in humidity, it will feel rounder and more enveloping, while on cooler skin it stays drier and more woody.
Who it’s for
For those who like spicy woods with a resinous, slightly balsamic warmth, and who prefer fragrance with texture over freshness. It will appeal to wearers drawn to humid, atmospheric compositions, subtle sweetness and a composed, niche-style signature.
The nose
Pierre Guillaume is both the perfumer and the founder of the house, and his work is defined by an independent, highly personal approach to composition. He is known for numbered fragrances that read like chapters in an ongoing olfactory journal, often mixing genres and textures with a clear signature: inventive, direct, and unafraid of contrast. PG25 Indochine fits that language well. Rather than building a conventional oriental, Guillaume leans into the resinous sweetness of benzoin and the dry spark of black pepper to suggest heat, humidity, and spice in a compact, modern form.
Pierre Guillaume - Parfumerie Générale’s story
Pierre Guillaume’s house is built around creative independence and a strongly authorial style. The numbered collection works like a sequence of olfactory stopovers, each fragrance exploring a different facet of his taste and imagination rather than following a fixed commercial formula.
PG25 Indochine’s concept
PG25 Indochine is presented as a continuation of the numbered narrative, starting where PG19 Louanges Profanes leaves off: if 19 explores balms in a cooler register, 25 turns toward their sweeter, spicier, woodier side. Its imagery is drawn from a 1920s Mekong River cruise, with mist, radiant sun and a humid, honeyed atmosphere shaping the scent’s mood.
Extra info
PG25 Indochine belongs to Pierre Guillaume’s numbered collection, a format he uses to map his personal olfactory ideas. The name and concept evoke Indochina through imagery rather than literal travel notes, with the Mekong River scene setting the tone for the composition.
offer
Use code OFFER50FF at the checkout to get 50% off this item.
Sale items are non-returnable and non-exchangeable. This applies to both online and in-store purchases.
1920’s, a sepia-toned cruise down Mekong River: a kaleidoscope of ephemeral dawns shrouded in mist and glorious days of radiant sunshine. The dreamy air is humid, balmy and honeyed. 25 Indochine starts where 19 Louanges Profanes ends: in number 19 the balms are fresh and cool and number 25 explores their sweet, spicy and woody aspects.
All about this fragrance
Vibe check
This is a scent for close quarters and warm air, when the room is already carrying a little heat and the fragrance can unfold slowly on skin. It suits a composed, intimate presence rather than a loud entrance, leaving behind a resinous, peppered warmth that feels softly atmospheric.
How to wear
Best worn in mild to warm weather, where its benzoin sweetness and peppery spice can breathe without becoming heavy. Apply lightly to pulse points or one to two sprays for a restrained trail; in humidity, it will feel rounder and more enveloping, while on cooler skin it stays drier and more woody.
Who it’s for
For those who like spicy woods with a resinous, slightly balsamic warmth, and who prefer fragrance with texture over freshness. It will appeal to wearers drawn to humid, atmospheric compositions, subtle sweetness and a composed, niche-style signature.
The nose
Pierre Guillaume is both the perfumer and the founder of the house, and his work is defined by an independent, highly personal approach to composition. He is known for numbered fragrances that read like chapters in an ongoing olfactory journal, often mixing genres and textures with a clear signature: inventive, direct, and unafraid of contrast. PG25 Indochine fits that language well. Rather than building a conventional oriental, Guillaume leans into the resinous sweetness of benzoin and the dry spark of black pepper to suggest heat, humidity, and spice in a compact, modern form.
Pierre Guillaume - Parfumerie Générale’s story
Pierre Guillaume’s house is built around creative independence and a strongly authorial style. The numbered collection works like a sequence of olfactory stopovers, each fragrance exploring a different facet of his taste and imagination rather than following a fixed commercial formula.
PG25 Indochine’s concept
PG25 Indochine is presented as a continuation of the numbered narrative, starting where PG19 Louanges Profanes leaves off: if 19 explores balms in a cooler register, 25 turns toward their sweeter, spicier, woodier side. Its imagery is drawn from a 1920s Mekong River cruise, with mist, radiant sun and a humid, honeyed atmosphere shaping the scent’s mood.
Extra info
PG25 Indochine belongs to Pierre Guillaume’s numbered collection, a format he uses to map his personal olfactory ideas. The name and concept evoke Indochina through imagery rather than literal travel notes, with the Mekong River scene setting the tone for the composition.



